Brazilian filmmaker Gustavo Galvao says his newest film We Still Have the Deep Black Night is a mirrored image of the present political local weather of the nation and goals to struggle censorship and dictatorship via artwork.
The drama follows the story of a trumpet participant who leaves Brasilia (Brazil’s capital), bored with the battle along with her rock band.
We Still Have the Deep Black Night had its India premiere on the 51st version of the continued International Film Festival of India (IFFI).
Mr. Gustavo Galvao, Director, ‘We Still Have The Deep Black Night’ Sharing His Experience About Being At #IFFI51 For The First Time And Appreciates How This Film Festival Showcases The Importance Of Art.@satija_amit @MIB_India pic.twitter.com/FQgknAeEsB
— International Film Festival of India (@IFFIGoa) January 20, 2021
Galvao mentioned impartial artistes in Brazil are “facing a difficult moment”, with lack of funding, rising censorship and areas of artwork being shut down.
When requested if the local weather of the nation triggered the movie, the director informed PTI, “In India, you’ve got a robust system, you’ll be able to have personal cash for impartial movies. But that isn’t the case in Latin America, the place you want public cash.
“This government has clearly expressed that they wouldn’t finance films that they don’t agree with ideologically. Some 800 film productions are stuck.”
Galvao, who’s attending the competition right here, mentioned he shot the movie in 2017, at a time when the “wave of censorship had begun.”
The filmmaker mentioned simply days earlier than the shoot, an artiste was arrested for performing and the scenario resembled full “dictatorship”.
“We had tough times from 1960s to the ’80s because of dictatorship and now it’s coming again. But we are here, still facing difficulty, still creating, writing. In a way, the film acquired this importance in Brazil, because it’s about how to resist, keep fighting through art,” he added.
We Still Have the Deep Black Night stars musicians-actors Ayla Gresta, Gustavo Halfeld, Steven Lange, Marat Descartes and Vanessa Gusmao.
The movie turned a medium to precise Galvao’s help in the direction of the music neighborhood of Brasilia, the place he was born and raised.
The filmmaker, who can be a former band member, mentioned Brasilia was the capital of rock music in Brazil however the metropolis, which was looking for its id via music, struggled as performing locations began getting shut.
“There’s a policy of the government to shut down places to forbid music, to forbid what they call ‘noise’. It was disturbing me a lot as I’m from the city. I didn’t want my city to die, because of policies that forbid art, music. So I decided to create this film about this young musician. I had to make this one to express my solidarity with them (the artistes),” he added.
