200 Halla Ho solid: Amol Palekar, Rinku Rajguru, Barun Sobti, Saloni Batra, Sahil Khattar, Sushama Deshpande200 Halla Ho director: Sarthak Dasgupta
ZEE5’s newest providing 200 Halla Ho is a sort of a movie that may go away you with many ideas, however you continue to want it was higher. It opens with a bunch of ladies operating out of the courtroom in Nagpur after slaughtering the person who has molested them for over a decade, and the police watch them go. Soon, the id of those ladies is revealed, no, not their names and addresses, however their caste — Dalits, thus making them the culprits with out a trial.
There have been only a few mainstream Dalit characters and tales in over 100 years of Indian cinema. As actor Amol Palekar places it, “Art, especially cinema, conveniently and systematically keeps these unsettling themes away.” But 200 Halla Ho makes an attempt to spotlight the problem of caste discrimination in society and in addition faucets into problems with patriarchy, and privilege. It is aware of what it’s exploring is true. Full marks for making an attempt a daring topic. But there are moments the place the movie loses monitor of the story’s core emotions, despair and outrage as director Sarthak Dasgupta fails to place the outdated adage of “Show, Don’t Tell” into follow.
“Tum nahi samajh sakte Dalit hona kya hota hai (You will never know what it is to be a Dalit in our society)” and “Main kyun na bolun main Dalit hun, jab ye samaj humein roz yaad dilaata ki main Dalit hun?” (Why shouldn’t I speak about my caste, after we are reminded of it at each occasion)” says Rinku Rajguru’s character Asha, a lady attempting to convey justice to the oppressed ladies, at totally different factors within the movie. Undoubtedly, these are some heavy-duty dialogues, aimed toward shifting the viewers to the core, however wouldn’t or not it’s higher if we might see what actually is it to be a Dalit than the expository dialogues.
There’s loads of wasted movement when the script introduces a fact-finding fee, headed by retired choose Dangle (Palekar). And, it’s when the story careens in direction of a court docket trial that it turns into the least partaking. Court proceedings, which glue the viewers to the screens even in badly scripted dramas, are marred by monologues by Palekar right here.
Though a lethargic screenplay fails the topic of the film, veteran actor Amol Palekar stays dedicated to the character of a retired Dalit choose. He brings some profundity to a movie that lacks depth. Besides him, Rinku Rajguru, Barun Sobti and Saloni Batra don’t contribute sufficient and lack the affect. Barun’s mellowed portrayal as a defence lawyer made courtroom scenes look uninteresting. Not that an overdramatised model would have helped, however he might have tried to usher in some realism to his character. Similarly, Rinku, who has delivered a robust efficiency in Marathi drama Sairat, seems to be a tad demotivated right here for somebody who’s main the motion of 200 tormented ladies. Saloni Batra, after a robust portrayal of a police officer within the Netflix movie Soni, holds a clean expression whereas reporting a cold-blooded homicide.
What might have been a gut-wrenching vigilante thriller, finally ends up being a chaotic yawn-fest.
