By AFP
NEW YORK: From “Star Wars” to “Jaws” to “Schindler’s List,” John Williams has written lots of the most immediately recognizable scores in cinema historical past.
The 91-year-old is already the oldest individual to obtain an Oscar nomination for a aggressive award, which he earned due to his spare but poignant compositions for Steven Spielberg’s “The Fabelmans.”
With 53 complete nods, Williams has extra Academy Award nominations than another residing individual, and is second solely to Walt Disney, who had 59.
And if he will get one other statuette on Sunday, which might be his sixth, he’ll turn out to be the oldest individual ever to triumph in any aggressive class. The file is at the moment held by screenwriter James Ivory, who was 89 when he received.
It “seems unreal that anybody could be that old and working that long,” Williams lately instructed NBC News, including: “It’s very exciting, even after 53 years.”
“I’m very pleased, I think it’s a human thing — the gratification of any kind of appreciation of one’s work.”
Out of the handfuls of nominations over the course of his extraordinary profession, the composer received Academy Awards for the unique “Star Wars,” “Fiddler on the Roof” and three movies by Spielberg, with whom he’s carefully related — “Jaws,” “E.T.: The Extra-Terrestrial” and “Schindler’s List.”
He’s even competed towards himself a number of instances for Oscars glory.
William is thought for his grand neo-Romantic scores within the trend of Wagner, a distinction to the extra experimental fare prevalent amongst many fashionable composers outdoors Hollywood.
But his work can also be steeped in mid-century influences together with jazz and well-liked American requirements.
Williams holds he is not as Wagnerian as his music would possibly point out, however admits the nineteenth century German big’s affect on Hollywood’s early composers, and subsequently his personal, is palpable.
“Wagner lives with us here — you can’t escape it,” he instructed The New Yorker in 2020.
“I have been in the big river swimming with all of them.”
‘Single biggest collaboration’
Williams was born on February 8, 1932 in New York’s Queens borough to a percussionist father, and was the eldest of 4 kids.
The household moved to Los Angeles in 1948, the place Williams later studied composition and took a semester of jazz band at Los Angeles City College.
While within the Air Force, he performed each piano and brass whereas arranging music for the service’s band.
Afterwards, he moved to New York, the place he enrolled on the prestigious Juilliard faculty to review piano.
Though he aspired to be a live performance pianist, it turned clear to Williams that composition was his true forte.
He moved again to LA, the place he labored on orchestrations at movie studios — incomes plaudits for his vary — and as a session pianist, together with for the movie adaptation of Leonard Bernstein’s “West Side Story.”
Williams notched his first Oscar nod for the 1967 movie “Valley of the Dolls,” and received his first in 1972 for “Fiddler on the Roof.”
His momentous partnership with Spielberg started within the early Nineteen Seventies, when the quickly to be household-name director approached him to attain his debut, “The Sugarland Express.”
Spielberg approached him as soon as extra to work on his second movie, “Jaws.”
The menacing two-note ostinato Williams composed for the movie has virtually turn out to be synonymous with worry itself: “John Williams actually is the teeth of Jaws,” Spielberg stated final yr at a live performance for the composer’s ninetieth birthday.
The pair then labored on “Close Encounters of the Third Kind” and a decades-long artistic partnership unfurled.
At the Williams birthday celebration in Washington, Spielberg dubbed their relationship “the single greatest collaboration of my career and one of the deepest friendships of my life.”
“Through the medium of movies, John has popularized motion picture scores more than any other composer in history.”
‘Soundtrack of our lives’
Spielberg additionally launched Williams to at least one George Lucas — it could turn out to be one other iconic collaboration that spawned maybe probably the most recognizable movie rating ever.
Several of Williams’ “Star Wars” compositions are prime examples of leitmotif, with musical cues tying collectively the huge, character-rich story.
“He has written the soundtrack of our lives,” conductor Gustavo Dudamel instructed The New York Times final yr. “When we listen to a melody of John’s, we go back to a time, to a taste, to a smell.”
“All our senses go back to a moment.”
Other credit from Williams’ greater than 100 movie scores embrace the music for 1978’s “Superman,” the primary three “Harry Potter” movies and numerous “Indiana Jones” movies.
“Harrison Ford made Indiana Jones into an iconic action hero, but John made us believe in adventure again, through that pulse-pounding march,” stated Spielberg.
Off-screen, he’s chargeable for the “Olympic Fanfare and Theme” first composed for the 1984 Summer Games in Los Angeles and used ever since on US broadcasts.
Williams has lately indicated he would possibly take a step again from movie scoring, giving extra power to conducting and composing live performance music; he was a longtime chief of the Boston Pops orchestra.
But talking at a panel with Spielberg earlier this yr, Williams appeared to stroll again the notion of slowing down, vowing to work till he is 100 or so.
“So I’ve got 10 more years to go. I’ll stick around for a while!” he instructed the group. “You can’t ‘retire’ from music.”
“It’s like breathing.”
NEW YORK: From “Star Wars” to “Jaws” to “Schindler’s List,” John Williams has written lots of the most immediately recognizable scores in cinema historical past.
The 91-year-old is already the oldest individual to obtain an Oscar nomination for a aggressive award, which he earned due to his spare but poignant compositions for Steven Spielberg’s “The Fabelmans.”
With 53 complete nods, Williams has extra Academy Award nominations than another residing individual, and is second solely to Walt Disney, who had 59.googletag.cmd.push(perform() googletag.show(‘div-gpt-ad-8052921-2’); );
And if he will get one other statuette on Sunday, which might be his sixth, he’ll turn out to be the oldest individual ever to triumph in any aggressive class. The file is at the moment held by screenwriter James Ivory, who was 89 when he received.
It “seems unreal that anybody could be that old and working that long,” Williams lately instructed NBC News, including: “It’s very exciting, even after 53 years.”
“I’m very pleased, I think it’s a human thing — the gratification of any kind of appreciation of one’s work.”
Out of the handfuls of nominations over the course of his extraordinary profession, the composer received Academy Awards for the unique “Star Wars,” “Fiddler on the Roof” and three movies by Spielberg, with whom he’s carefully related — “Jaws,” “E.T.: The Extra-Terrestrial” and “Schindler’s List.”
He’s even competed towards himself a number of instances for Oscars glory.
William is thought for his grand neo-Romantic scores within the trend of Wagner, a distinction to the extra experimental fare prevalent amongst many fashionable composers outdoors Hollywood.
But his work can also be steeped in mid-century influences together with jazz and well-liked American requirements.
Williams holds he is not as Wagnerian as his music would possibly point out, however admits the nineteenth century German big’s affect on Hollywood’s early composers, and subsequently his personal, is palpable.
“Wagner lives with us here — you can’t escape it,” he instructed The New Yorker in 2020.
“I have been in the big river swimming with all of them.”
‘Single biggest collaboration’
Williams was born on February 8, 1932 in New York’s Queens borough to a percussionist father, and was the eldest of 4 kids.
The household moved to Los Angeles in 1948, the place Williams later studied composition and took a semester of jazz band at Los Angeles City College.
While within the Air Force, he performed each piano and brass whereas arranging music for the service’s band.
Afterwards, he moved to New York, the place he enrolled on the prestigious Juilliard faculty to review piano.
Though he aspired to be a live performance pianist, it turned clear to Williams that composition was his true forte.
He moved again to LA, the place he labored on orchestrations at movie studios — incomes plaudits for his vary — and as a session pianist, together with for the movie adaptation of Leonard Bernstein’s “West Side Story.”
Williams notched his first Oscar nod for the 1967 movie “Valley of the Dolls,” and received his first in 1972 for “Fiddler on the Roof.”
His momentous partnership with Spielberg started within the early Nineteen Seventies, when the quickly to be household-name director approached him to attain his debut, “The Sugarland Express.”
Spielberg approached him as soon as extra to work on his second movie, “Jaws.”
The menacing two-note ostinato Williams composed for the movie has virtually turn out to be synonymous with worry itself: “John Williams actually is the teeth of Jaws,” Spielberg stated final yr at a live performance for the composer’s ninetieth birthday.
The pair then labored on “Close Encounters of the Third Kind” and a decades-long artistic partnership unfurled.
At the Williams birthday celebration in Washington, Spielberg dubbed their relationship “the single greatest collaboration of my career and one of the deepest friendships of my life.”
“Through the medium of movies, John has popularized motion picture scores more than any other composer in history.”
‘Soundtrack of our lives’
Spielberg additionally launched Williams to at least one George Lucas — it could turn out to be one other iconic collaboration that spawned maybe probably the most recognizable movie rating ever.
Several of Williams’ “Star Wars” compositions are prime examples of leitmotif, with musical cues tying collectively the huge, character-rich story.
“He has written the soundtrack of our lives,” conductor Gustavo Dudamel instructed The New York Times final yr. “When we listen to a melody of John’s, we go back to a time, to a taste, to a smell.”
“All our senses go back to a moment.”
Other credit from Williams’ greater than 100 movie scores embrace the music for 1978’s “Superman,” the primary three “Harry Potter” movies and numerous “Indiana Jones” movies.
“Harrison Ford made Indiana Jones into an iconic action hero, but John made us believe in adventure again, through that pulse-pounding march,” stated Spielberg.
Off-screen, he’s chargeable for the “Olympic Fanfare and Theme” first composed for the 1984 Summer Games in Los Angeles and used ever since on US broadcasts.
Williams has lately indicated he would possibly take a step again from movie scoring, giving extra power to conducting and composing live performance music; he was a longtime chief of the Boston Pops orchestra.
But talking at a panel with Spielberg earlier this yr, Williams appeared to stroll again the notion of slowing down, vowing to work till he is 100 or so.
“So I’ve got 10 more years to go. I’ll stick around for a while!” he instructed the group. “You can’t ‘retire’ from music.”
“It’s like breathing.”
