By Online Desk
“Patriarchy has no gender,” says filmmaker Nina Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
Menkes is the director of Brainwashed: Sex-Camera-Power, a documentary arguing that even in all probability essentially the most acclaimed classics of cinema have impressed a convention of sexual harassment of women. Using a complete bunch of clips, Menkes displays how female characters are persistently framed because the factor by the male subject, The Guardian tales.
This mesmerising seen journey via cinema’s sexist bloodstream will ceaselessly change the way in which by which you see and make motion pictures.
Brainwashed: Sex-Camera-Power by Nina Menkes (@menkesfilm) arrives in UK cinemas 12 May 2023. pic.twitter.com/o6y2S7kVdo
— BFI (@BFI) April 6, 2023
“Everybody knows that women tend to be objectified in advertisements and music videos,” says Menkes. Less well-known is its ubiquity throughout the canon. “The good directors that everyone reveres. These motion pictures that many people ponder to be their favourites reinforce a strategy of seeing women that’s detrimental to our lives.” The Guardian quoted her saying.
Talking heads analyse the outcomes of such imagery, from lecturers much like Laura Mulvey to directors along with Julie Dash and Catherine Hardwicke. The absence of white, male, heterosexual audio system was unintentional, says Menkes. “We have been type of shocked because of it was not our plan,” the report talked about.
“We reached out to a lot of the big directors whose clips we included, including Scorsese and Spike Lee,” says Menkes. “Denis Villeneuve, because we use his clips quite a few times. And we got the brush off.‘Busy, sorry’. Without trying, we ended up with a group of people who were very powerfully reinforcing the message.”
The Guardian report offers, Yet Menkes moreover makes use of incriminating examples of objectification from motion pictures by female directors – from Sofia Coppola’s Lost in Translation to Julia Ducournau’s Titane. “Patriarchy has no gender,” says Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
“Patriarchy has no gender,” says filmmaker Nina Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
Menkes is the director of Brainwashed: Sex-Camera-Power, a documentary arguing that even in all probability essentially the most acclaimed classics of cinema have impressed a convention of sexual harassment of women. Using a complete bunch of clips, Menkes displays how female characters are persistently framed because the factor by the male subject, The Guardian tales.
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This mesmerising seen journey via cinema’s sexist bloodstream will ceaselessly change the way in which by which you see and make motion pictures.
Brainwashed: Sex-Camera-Power by Nina Menkes (@menkesfilm) arrives in UK cinemas 12 May 2023. pic.twitter.com/o6y2S7kVdo
— BFI (@BFI) April 6, 2023
“Everybody knows that women tend to be objectified in advertisements and music videos,” says Menkes. Less well-known is its ubiquity throughout the canon. “The good directors that everyone reveres. These motion pictures that many people ponder to be their favourites reinforce a strategy of seeing women that’s detrimental to our lives.” The Guardian quoted her saying.
Talking heads analyse the outcomes of such imagery, from lecturers much like Laura Mulvey to directors along with Julie Dash and Catherine Hardwicke. The absence of white, male, heterosexual audio system was unintentional, says Menkes. “We have been type of shocked because of it was not our plan,” the report talked about.
“We reached out to a lot of the big directors whose clips we included, including Scorsese and Spike Lee,” says Menkes. “Denis Villeneuve, because we use his clips quite a few times. And we got the brush off.‘Busy, sorry’. Without trying, we ended up with a group of people who were very powerfully reinforcing the message.”
The Guardian report offers, Yet Menkes moreover makes use of incriminating examples of objectification from motion pictures by female directors – from Sofia Coppola’s Lost in Translation to Julia Ducournau’s Titane. “Patriarchy has no gender,” says Menkes. “We’re not saying, if you have a male body, you make this kind of movie. It doesn’t break down like that.”
