By Associated Press
MILAN: Vandals set fireplace and destroyed a seminal paintings by considered one of Italy’s most well-known dwelling artists early Wednesday exterior Naples’ City Hall.
By the time flames have been doused, all that was left of the set up by Michelangelo Pistoletto was a charred body.
Pistoletto’s paintings, titled “Venus of the Rags” had been show in Naples since June 28. It featured a big plaster neoclassical nude Venus, impressed by Danish sculptor Bertel Thorvaldsen’s nineteenth century “Venus with Apple,” choosing via a mountain of rags.
Pistoletto made a number of variations of “Venus of the Rags.” The first, in 1967, had a concrete or cement Venus bought at a backyard middle lined with mica to create a glittery floor. Others used plaster casts of the that statue, and one was made out of Greek marble containing mica, in response to the Tate Gallery, which owns one of many items.
Pistoletto advised the Corriere della Sera each day newspaper that the explanations for the assault may very well be many.
“It is a piece that requires regeneration, on the need to discover a steadiness and concord between two minds which might be represented on the one hand by magnificence, and on the opposite by consummate consumerism, a catastrophe,’’ the 90-year-old artist mentioned.
He added: “The world is going up in flames anyway. The same spirits that are waging war are the ones that set the Venus on fire.”
Pistoletto is a painter, object artist and artwork theorist who is without doubt one of the foremost representatives of the Italian Arte Povera motion of the late Sixties and early Nineteen Seventies via which artists attacked the political, industrial and cultural institution.
MILAN: Vandals set fireplace and destroyed a seminal paintings by considered one of Italy’s most well-known dwelling artists early Wednesday exterior Naples’ City Hall.
By the time flames have been doused, all that was left of the set up by Michelangelo Pistoletto was a charred body.
Pistoletto’s paintings, titled “Venus of the Rags” had been show in Naples since June 28. It featured a big plaster neoclassical nude Venus, impressed by Danish sculptor Bertel Thorvaldsen’s nineteenth century “Venus with Apple,” choosing via a mountain of rags.googletag.cmd.push(operate() googletag.show(‘div-gpt-ad-8052921-2’); );
Pistoletto made a number of variations of “Venus of the Rags.” The first, in 1967, had a concrete or cement Venus bought at a backyard middle lined with mica to create a glittery floor. Others used plaster casts of the that statue, and one was made out of Greek marble containing mica, in response to the Tate Gallery, which owns one of many items.
Pistoletto advised the Corriere della Sera each day newspaper that the explanations for the assault may very well be many.
“It is a piece that requires regeneration, on the need to discover a steadiness and concord between two minds which might be represented on the one hand by magnificence, and on the opposite by consummate consumerism, a catastrophe,’’ the 90-year-old artist mentioned.
He added: “The world is going up in flames anyway. The same spirits that are waging war are the ones that set the Venus on fire.”
Pistoletto is a painter, object artist and artwork theorist who is without doubt one of the foremost representatives of the Italian Arte Povera motion of the late Sixties and early Nineteen Seventies via which artists attacked the political, industrial and cultural institution.
