The middle-class family serial ‘Bakaiti’ struggles to differentiate itself from ‘Gullak,’ resulting in a disappointing experience. The show’s shortcomings are evident despite the presence of some talented actors.
Unlike ‘Dupahiya,’ which successfully reinterpreted ‘Panchayat,’ ‘Bakaiti’ introduces talent but fails to provide engaging content. The series opts for smiles over genuine laughter and creates an echo rather than a distinct impression. The family is introduced quickly, and the initial interest wanes rapidly.
The performances of Rajesh Tailang and Sheeba Chadha as the parents contribute significantly to the show’s appeal.
However, the actors’ performances cannot overcome the numerous plot holes and narrative inconsistencies. The writing is lazy, and the actors seem to have been instructed to speak aggressively to compensate for the lack of inspiration.
Regrettably, the storytelling lacks dramatic tension, even during moments of potential significance. Jokes that rely on mock-mourning feel old. The interactions between the Kataria siblings are irritating.
Despite these shortcomings, the series has its moments. Sheeba Chadha’s character provides an engaging moment. Another instance of potential humor comes from the grandfather’s reaction. The arrival of a tenant, the central element of the family drama, signals the decline of any remaining interest.
Ultimately, ‘Bakaiti’ is tiresome, despite its short episodes. However, there is a desire for a second season because the characters have potential. To realize this, the team must move beyond clichés and explore the middle class with more originality.