The film ‘Maharani’ enters a well-trodden territory of cinema by exploring the relationship between the woman of the house and her domestic help, following in the footsteps of films such as ‘Arth’ and ‘Dear Maa.’ Viral Shah’s ‘Maharani,’ however, does not achieve the same level of success. Manasi Parekh and Shraddha Dangar, both award-winning actresses, struggle to build a believable camaraderie as mistress and maid. The script disappoints the leads, lacking the nuance and depth seen in the original Marathi film, ‘Nach Ga Ghuma.’ The film includes ineffective attempts at humor, such as the protagonist’s interactions with her boss or the inclusion of other househelps. Moments of effectiveness arise when Manasi tries to reinstate Rani’s position in her home. While Manasi’s character’s search for suitable help may resonate with viewers, the film’s lack of refinement prevents it from fully exploring its core theme. ‘Maharani’ does not fail entirely, but it does not delve deeply into its central relationship. The film appears to be superficial, dealing only with the surface of the complex dynamic between a working woman and her househelp.
