Tag: 53rd IFFI

  • Asha Parekh films shall be screened at 53rd IFFI; Carlos Suara to be honoured

    Three movies of Dadasaheb Phalke awardee Asha Parekh shall be screened as a retrospective on the upcoming version of the International Film Festival of India (IFFI), which may even felicitate Spanish filmmaker Carlos Saura with the lifetime achievement honour.

    The 53rd version of the movie gala will happen from November 20 to twenty-eight at Panaji in Goa.

    Teesri Manzil, Do Badan and Kati Patang are the three favorite of her films that Asha Parekh herself prompt, stated National Film Development Corporation of India managing director Ravinder Bhakar stated on Monday. He can be the director of the National Film Archive of India (NFAI).

    Multiple award-winning Spanish director Carlos Suara shall be honoured with the Satyajit Ray Lifetime Achievement Award on the IFFI. Eight of his movies, together with La Caza del Conejo and Ana Y Los Lobos, shall be screened as a part of a retrospective.

    To mark 50 years of Manipur in cinema, 5 Manipuri movies, together with Ishanou (The Chosen One) and Ratan Thiyam – the Man of the Theatre, a documentary on the lifetime of the theatre maestro from the northeastern state shall be showcased.

    Prithvi Konanur’s Kannada movie Hadinelentu will open the characteristic part of the Indian Panorama, the flagship part of the IFFI. The Show Must Go On by Divya Cowasji will kickstart the non-feature movie part. Pan Nalin’s Gujarati movie ‘Chhello Show’ (The Last Film Show), India’s official entry to the Oscars in the most effective worldwide movie class, and Madhur Bhandarkar’s India Lockdown may have particular screenings on the competition.

    Taking a leaf out of Marche du Cannes (Cannes Film Market), the place India was the nation of honour this yr, the IFFI will home pavilions of greater than 13 Indian states, together with these of Bihar, Punjab, Gujarat, Tamil Nadu and Maharashtra, and collaborating international locations resembling Russia and France.

    The new e-book adaptation programme — Books to Box Office impressed by the Venice Film Festival — has been launched as an initiative to bridge the hole between good tales printed in books and good movies that may be made by adapting them.

    There shall be a number of gala premiers of Hindi movies with their actors current to help and promote cinema. “The Storyteller will be shown. Other important and popular films like Drishyam 2, Goldfish, Bhediya will be premiered. Tera Kya Hoga Lovely will be shown. Netflix will be coming with the makers of the series Fauda and they will be discussing the creative challenges they face while shooting,” Bhakar informed reporters right here.

    In an effort in the direction of inclusivity, screenings of movies resembling Oscar successful film Gandhi shall be showcased within the ‘Divyangjan’ (visually impaired) part with embedded audio descriptions and subtitles.

    According to Information and Broadcasting Secretary Apurva Chandra, the 53rd version of the IFFI is vital as it’s the first chapter to be organised in-person ”after the shadow of the COVID-19 pandemic”.

    ”Many individuals from different international locations couldn’t take part within the final two IFFIs. Flights weren’t accessible. This time it is going to be held in a bodily format however protecting in thoughts the pursuits of those that nonetheless have issues, chosen movie screenings, masterclasses, and talks shall be made accessible just about,” Chandra stated.

    Film Bazaar, devoted to discovering, supporting and showcasing South Asian content material, has gone underneath an entire overhaul. ”The Film Bazaar could be considerably modified as for the primary time pavilion from a number of international locations, states, and movie organisations could be arrange on a really lovely promenade alongside the ocean in Panaji,” Chandra stated.

    Austria’s Alma and Oskar will open the annual competition whereas Polish film The Perfect Number will shut the IFFI. Mercedes Bryce Morgan’s Fixation was introduced because the mid-fest movie.

    Films from the NFAI shall be showcased by the NFDC within the ‘Indian Restored Classics’ part. Sohrab Modi’s Nausherwan-E-Adil (1957), Ramesh Maheshwary’s Nanak Nam Jahaz Hai (1969), Okay Vishwanath’s 1980 Telugu film Sankarabharnam and two Satyajit Ray classics — Shatranj Ke Khiladi (1977) and Ganashatru (1989) are a part of this line-up.

    Under the homage part, tributes shall be paid to 18 Indian and 5 worldwide cinema personalities resembling melody queen Lata Mangeshkar, singer-composer Bappi Lahiri, Kathak maestro Pt. Birju Maharaj, actors Ramesh Deo and Maheshwari Amma, singer KK, singer Bhupinder Singh, in addition to filmmakers Bob Refealson, Ivan Reitman, and actress Monica Vitti.

    The version will see the return of masterclass and in-conversation classes with eminent filmmakers and actors. There shall be a masterclass in screenwriting by V Vijayendra Prasad, on enhancing by A Sreekar Prasad, and Anupam Kher will take a category in performing. The in-conversation classes shall be helmed by Asha Parekh, Prasoon Joshi, Aanand L Rai, R Balki and Nawazuddin Siddiqui, amongst others.

    As France is the highlight nation this yr on the IFFI, 15 French movies, together with Les Enfants des Autres by Rebecca Zlotowski, Ouistreham by Emmanuel Carrère, Belle et Sébastien: Nouvelle génération by Pierre Coré, La Traversée by Florence Miailhe, and 16 ans shall be offered as a part of the slate.

    In the worldwide part, 183 movies have been short-listed by a five-member jury, headed by Israeli director Nadav Lapid.

    ”Here, there’s a tribute part the place movies of eminent filmmakers shall be screened. It may have a set of movies to mark the centennial celebration of Pier Paolo Pasolini, a director, author, and journalist from Italy. The French Institute will current a tribute to Mr Jean-Luc Godard,” stated Minister of State for Information and Broadcasting Dr L Murugan.

    There shall be movies offered in collaboration with UNICEF, the IFFI’s trigger accomplice, and they’ll mirror on the dynamic forces which form childhood and its socio-economic contexts.