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Tag: Alicia von Rittberg

  • ‘Becoming Elizabeth is a modern period piece’

    Express News Service

    German actor Alicia von Rittberg had two main challenges when she needed to grow to be Elizabeth I of England for, effectively, Becoming Elizabeth. If perfecting the English accent regardless of being a German was one, she additionally needed to not directly compete with many iconic actors (Cate Blanchett, Helen Mirren, Judi Dench, and Flora Robson). “Growing up, I watched movies about Elizabeth I and began watching extra after I signed on to play the function.

    Reading lets you think about, positive, however seeing individuals transfer, act, and dance bolsters understanding the character and diving into the world. 500 years in the past, there have been no recordings and naturally, I needed to go for movies to get an thought,” Alicia says over a Zoom dialog. Opening about what she discovered fascinating a couple of character that has seen a number of iterations in movie and TV, Alicia provides, “She was wise beyond her years and just otherworldly. To be a queen at that time, unmarried, and to be respected by people, not feared. I couldn’t imagine how she became that person. And I am sure it must have been crazier back in the day than it is today. She was just incredible.” 

    As the title fittingly suggests, it’s this research concerning the making of this persona that intrigued Alicia essentially the most about Becoming Elizabeth. “She is an iconic queen and we just don’t know how she grew up. Of course, we know about her father and his politics, but a lot had transpired before that. What made her the person she went on to become? Why did she proclaim herself the Virgin Queen? What informed her policy-making and decisions? The answers to all these questions exist in her childhood, which we know very little about. It is an incredible period piece but still feels modern because you don’t get blinded by the politics. We are encouraged to see through the human being, and not just what we know of her from the books.”

    Alicia vividly remembers the primary day of filming. The actor underwent a workshop, which she describes as “princess school” the place she discovered chores, using the horse, calligraphy, taking part in musical devices, and naturally, getting the accent proper. “We shot a scene in her study on the first day. Naturally, I was nervous because I was working on the accent and they told me to play the virginals (piano) and I wondered why it had to be on the first day,” Alicia laughs as she recollects the primary day of the shoot. 

    Justin Chadwick, the director of the primary 4 episodes of the present, and Adolpho Veloso kept away from using synthetic lighting on the units to create a sensible visible tone to authentically symbolize the time interval. 

    Speaking about how the taking pictures surroundings influenced her performing course of, Alicia concludes, “The filmmaker and the DoP used only natural light sources like candles and windows, permitting them to pan the camera 360 degrees without worrying about lighting in the frame… There were days when we shot for twelve hours without a break. It was not an environment where an actor who wasn’t in the frame could relax. You are always in the scene, and if the cinematographer felt so, right in the centre of it all. The set was 100 per cent alive always.” 

    German actor Alicia von Rittberg had two main challenges when she needed to grow to be Elizabeth I of England for, effectively, Becoming Elizabeth. If perfecting the English accent regardless of being a German was one, she additionally needed to not directly compete with many iconic actors (Cate Blanchett, Helen Mirren, Judi Dench, and Flora Robson). “Growing up, I watched movies about Elizabeth I and began watching extra after I signed on to play the function.

    Reading lets you think about, positive, however seeing individuals transfer, act, and dance bolsters understanding the character and diving into the world. 500 years in the past, there have been no recordings and naturally, I needed to go for movies to get an thought,” Alicia says over a Zoom dialog. Opening about what she discovered fascinating a couple of character that has seen a number of iterations in movie and TV, Alicia provides, “She was wise beyond her years and just otherworldly. To be a queen at that time, unmarried, and to be respected by people, not feared. I couldn’t imagine how she became that person. And I am sure it must have been crazier back in the day than it is today. She was just incredible.” 

    As the title fittingly suggests, it’s this research concerning the making of this persona that intrigued Alicia essentially the most about Becoming Elizabeth. “She is an iconic queen and we just don’t know how she grew up. Of course, we know about her father and his politics, but a lot had transpired before that. What made her the person she went on to become? Why did she proclaim herself the Virgin Queen? What informed her policy-making and decisions? The answers to all these questions exist in her childhood, which we know very little about. It is an incredible period piece but still feels modern because you don’t get blinded by the politics. We are encouraged to see through the human being, and not just what we know of her from the books.”

    Alicia vividly remembers the primary day of filming. The actor underwent a workshop, which she describes as “princess school” the place she discovered chores, using the horse, calligraphy, taking part in musical devices, and naturally, getting the accent proper. “We shot a scene in her study on the first day. Naturally, I was nervous because I was working on the accent and they told me to play the virginals (piano) and I wondered why it had to be on the first day,” Alicia laughs as she recollects the primary day of the shoot. 

    Justin Chadwick, the director of the primary 4 episodes of the present, and Adolpho Veloso kept away from using synthetic lighting on the units to create a sensible visible tone to authentically symbolize the time interval. 

    Speaking about how the taking pictures surroundings influenced her performing course of, Alicia concludes, “The filmmaker and the DoP used only natural light sources like candles and windows, permitting them to pan the camera 360 degrees without worrying about lighting in the frame… There were days when we shot for twelve hours without a break. It was not an environment where an actor who wasn’t in the frame could relax. You are always in the scene, and if the cinematographer felt so, right in the centre of it all. The set was 100 per cent alive always.” 

  • ‘Becoming Elizabeth is a modern period piece’: German actor Alicia von Rittberg

    Express News Service

    German actor Alicia von Rittberg had two main challenges when she needed to develop into Elizabeth I of England for, nicely, Becoming Elizabeth. If perfecting the English accent regardless of being a German was one, she additionally needed to not directly compete with many iconic actors (Cate Blanchett, Helen Mirren, Judi Dench and Flora Robson).

    “Growing up, I watched movies about Elizabeth I and began watching extra after I signed on to play the position. Reading means that you can think about, certain, however seeing individuals transfer, act, and dance bolsters understanding the character and diving into the world.

    500 years in the past, there have been no recordings and naturally, I needed to go for movies to get an concept,” Alicia says over a Zoom dialog.

    Opening about what she discovered fascinating a few character that has seen a number of iterations in movie and TV, Alicia provides, “She was wise beyond her years and just otherworldly. To be a queen at that time, unmarried, and to be respected by people, not feared. I couldn’t imagine how she became that person. And I am sure it must have been crazier back in the day than it is today. She was just incredible.”

    As the title fittingly suggests, it’s this research concerning the making of this persona that intrigued Alicia probably the most about Becoming Elizabeth.

    “She is an iconic queen and we just don’t know how she grew up. Of course, we know about her father and his politics, but a lot had transpired before that. What made her the person she went on to become? Why did she proclaim herself the Virgin Queen? What informed her policy-making and decisions? The answers to all these questions exist in her childhood, which we know very little about. It is an incredible period piece but still feels modern because you don’t get blinded by the politics. We are encouraged to see through the human being, and not just what we know of her from the books.”

    Alicia vividly remembers the primary day of filming. The actor underwent a workshop, which she describes as “princess school” the place she discovered chores, using the horse, calligraphy, enjoying musical devices, and naturally, getting the accent proper.

    “We shot a scene in her study on the first day. Naturally, I was nervous because I was working on the accent and they told me to play the virginals (piano) and I wondered why it had to be on the first day,” Alicia laughs as she remembers the painstaking first day of the shoot. It didn’t get any simpler.

    “I had to recite lines in Greek. Thankfully, I took Ancient Greek lessons in school and never thought it would come in handy while acting. And I had to cry in the scene. If this didn’t suffice, I had to perform calligraphy too. All of this was on the first day. It was nuts,” she added.

    Justin Chadwick, the director of the primary 4 episodes of the present, and Adolpho Veloso shunned using synthetic lighting on the units to create a sensible visible tone to authentically characterize the time interval.

    Speaking about how the taking pictures setting influenced her appearing course of, Alicia shares, “The filmmaker and the DoP used only natural light sources like candles and windows, permitting them to pan the camera 360 degrees without worrying about lighting in the frame. For instance, if I am in the frame and if they notice something interesting in the scene like, say, the reaction of a co-actor, they could immediately pan the camera onto them. Also, if I felt like running to the other side of the room all of a sudden while filming, I was allowed to follow my instinct. The freedom it gives you is incredible.”

    This process additionally meant further work for the actors. “There were days when we shot for twelve hours without a break. It was not an environment where an actor who wasn’t in the frame could relax. You are always in the scene, and if the cinematographer felt so, right in the centre of it all. The set was 100 per cent alive always,” she concludes.

    German actor Alicia von Rittberg had two main challenges when she needed to develop into Elizabeth I of England for, nicely, Becoming Elizabeth. If perfecting the English accent regardless of being a German was one, she additionally needed to not directly compete with many iconic actors (Cate Blanchett, Helen Mirren, Judi Dench and Flora Robson).

    “Growing up, I watched movies about Elizabeth I and began watching extra after I signed on to play the position. Reading means that you can think about, certain, however seeing individuals transfer, act, and dance bolsters understanding the character and diving into the world.

    500 years in the past, there have been no recordings and naturally, I needed to go for movies to get an concept,” Alicia says over a Zoom dialog.

    Opening about what she discovered fascinating a few character that has seen a number of iterations in movie and TV, Alicia provides, “She was wise beyond her years and just otherworldly. To be a queen at that time, unmarried, and to be respected by people, not feared. I couldn’t imagine how she became that person. And I am sure it must have been crazier back in the day than it is today. She was just incredible.”

    As the title fittingly suggests, it’s this research concerning the making of this persona that intrigued Alicia probably the most about Becoming Elizabeth.

    “She is an iconic queen and we just don’t know how she grew up. Of course, we know about her father and his politics, but a lot had transpired before that. What made her the person she went on to become? Why did she proclaim herself the Virgin Queen? What informed her policy-making and decisions? The answers to all these questions exist in her childhood, which we know very little about. It is an incredible period piece but still feels modern because you don’t get blinded by the politics. We are encouraged to see through the human being, and not just what we know of her from the books.”

    Alicia vividly remembers the primary day of filming. The actor underwent a workshop, which she describes as “princess school” the place she discovered chores, using the horse, calligraphy, enjoying musical devices, and naturally, getting the accent proper.

    “We shot a scene in her study on the first day. Naturally, I was nervous because I was working on the accent and they told me to play the virginals (piano) and I wondered why it had to be on the first day,” Alicia laughs as she remembers the painstaking first day of the shoot. It didn’t get any simpler.

    “I had to recite lines in Greek. Thankfully, I took Ancient Greek lessons in school and never thought it would come in handy while acting. And I had to cry in the scene. If this didn’t suffice, I had to perform calligraphy too. All of this was on the first day. It was nuts,” she added.

    Justin Chadwick, the director of the primary 4 episodes of the present, and Adolpho Veloso shunned using synthetic lighting on the units to create a sensible visible tone to authentically characterize the time interval.

    Speaking about how the taking pictures setting influenced her appearing course of, Alicia shares, “The filmmaker and the DoP used only natural light sources like candles and windows, permitting them to pan the camera 360 degrees without worrying about lighting in the frame. For instance, if I am in the frame and if they notice something interesting in the scene like, say, the reaction of a co-actor, they could immediately pan the camera onto them. Also, if I felt like running to the other side of the room all of a sudden while filming, I was allowed to follow my instinct. The freedom it gives you is incredible.”

    This process additionally meant further work for the actors. “There were days when we shot for twelve hours without a break. It was not an environment where an actor who wasn’t in the frame could relax. You are always in the scene, and if the cinematographer felt so, right in the centre of it all. The set was 100 per cent alive always,” she concludes.