Tag: Feature Film

  • Nancy Meyers to jot down and direct new movie for Netflix 

    By PTI

    LOS ANGELES: Filmmaker Nancy Meyers will return to the director’s chair with an upcoming film for streaming service Netflix.

    The filmmaker, recognized for giving hit rom-coms “The Parent Trap”, “The Holiday”, “Something’s Gotta Give” and “Father of the Bride”, will write, direct and produce the characteristic movie, Netflix stated in a press launch.

    The comedy isn’t but titled and the logline is being saved underneath wraps.

    Meyer’s earlier directorial effort was the 2015 film “The Intern”, headlined by Hollywood stars Anne Hathaway and Robert De Niro.

    The filmmaker earlier labored with Netflix in 2020 to launch the brief movie “Father of the Bride Part 3 (ish)”, bringing collectively the solid of “Father of the Bride” and “Father of the Bride Part II” in addition to De Niro, Florence Pugh and Ben Platt for a really particular Banks household reunion that benefited World Central Kitchen.

  • Jack Harlow to star in ‘White Men Can’t Jump’ remake

    By IANS

    LOS ANGELES: Grammy-nominated rapper Jack Harlow is making his characteristic movie debut in ‘White Men Can’t Jump’, a remake of the 1992 sports activities comedy.

    Charles Kidd II, recognized professionally as Calmatic, is directing the reboot from a script by ‘Black-ish’ creator Kenya Barris and Doug Hall. In the brand new tackle ‘White Men Can’t Jump’, Harlow is enjoying the position that Woody Harrelson portrayed within the unique movie, experiences selection.com.

    That film, written and directed by Ron Shelton, starred Wesley Snipes and Harrelson as road basketball hustlers who start at odds with one another after which staff up for an even bigger recreation. The filmmakers are presently within the technique of discovering the actor to fill the position originated by Snipes.

    They are additionally auditioning folks to painting Harlow’s character’s longtime girlfriend, an aspiring ‘Jeopardya’ contestant performed by Rosie Perez within the 1992 movie.

    Barris is producing the movie via his firm Khalabo Ink Society. Brooklyn Nets basketball star Blake Griffin, Ryan Kalil and Noah Weinstein will function government producers via their label Mortal Media. Hall and E. Brian Dobbins may also government produce.

    Harlow just lately confirmed off his basketball chops on this yr’s NBA All-Star Weekend’s Celebrity Game, nevertheless it was his audition that sealed the deal and received over the filmmaking staff behind the film. Earlier this yr, he dropped the only “Nail Tech”, his first new solo launch since his major-label debut album “That’s What They All Say”.

    In between filming “White Men Can’t Jump”, Harlow is headlining the three-day Forecastle Festival in his residence state of Kentucky.

  • I Want You Back, Amazon Original romantic comedy releases tomorrow

    Express News Service

    Isaac Aptaker and Elizabeth Berger first met in 2005 at New York University’s Tish college whereas pursuing majors in dramatic writing. They wrote their first script collectively in faculty.

    Today, seventeen years later, the writing duo has acclaimed titles—throughout tv and have movies—resembling  How I Met Your Father, This is Us and Love, Victor  (the spin-off sequence of Love, Simon), to their credit score, and are actually awaiting the discharge of their subsequent function, the romantic comedy, I Want You Back.

    Having labored collectively on quite a few tasks over time, are they capable of learn others’ minds by now? Elizabeth laughs and admits that they do. “You spend so much time together that if your thought processes do not align, it’s not going to work, and you will end up disliking your life. It’s really important to our relationship that we stay aligned; we see each other as much as we see our partners. We are always in sync, and we enjoy it.”

    The acquaintance with every others’ writing types doesn’t take away the ingredient of shock although. “There are always gonna be moments of surprises and moments that you don’t quite anticipate. We split our work into halves and work on it separately. When we combine them, it somehow feels like the same puzzle,” says Isaac.

    Their subsequent, I Want You Back, is a romantic comedy a few man and lady who bond over the method of pursuing their respective exes—because the title alludes to—after experiencing painful breakups. The movie has a bunch of characters, people who find themselves primarily based on these across the writers.

    “We take inspiration from ourselves… our friends, our mistakes, misfortunes…” Elizabeth shares, with a large smile. “I think we are always—especially with a movie like this—aiming to make these people relatable. Hopefully, people will go, ‘I know that person!’ or ‘Hey, that’s my idiot friend!’. We want our films to portray the lives of our viewers and the people they know.” 

    At one level within the movie, Jenny Slate’s character presents consolation to a perplexed baby by sharing that adults are as confused and unsure as children. This line—which encapsulates the essence of the movie—is impressed by the duo’s personal experiences, whereas scripting the movie.

    Elizabeth shares, “We wrote this movie while attending dozens of meetings, driving around the town, and making a ton of mistakes. The combination of trying to act like grown-ups who are in complete control of their lives while, in reality, having no idea about what’s happening around, is a prevailing feeling in the film, and I suspect we were in a similar zone while penning it.”

    Modus operandi varies from author to author. Some create characters first and spin the world round them, whereas others are inclined to domesticate characters from the milieu of the story. For Isaac and Elizabeth although, due to their working model, it’s a mix of each, with characters and their world coming to life concurrently.

    “We spend a lot of time understanding the ideas and characters of the film. If it’s a comedy, we try to make each other laugh to figure out what makes the film and its characters interesting. We then map out the whole story, and as Elizabeth said, we write in two chunks. Once we get near the 100-page mark, we collate our parts and begin rewriting and polishing until we think it might finally look good.”

    Barring I Want You Back and Love, Simon, Isaac, and Elizabeth have predominantly labored within the long-format medium. “We love each options and sequence. There are some elementary variations, after all—the pacing of the story and the way lengthy you reside with these characters.”

    “There’s a satisfaction in telling a narrative in say, 90 minutes or two hours, the place you’ve gotten the chance to discover scenes and let each scene breathe, versus a TV present, the place you must cram so much into one episode. On the opposite hand, you additionally need to make a sequence that may have longevity and one that may will let you unfold the story in a totally completely different manner. I feel each have their very own enchantment; it’s nearly tapping into completely different sorts of storytelling.” Isaac shortly provides, “This is why we do both; it’s fun to bounce back and forth.”

    The duo had a fruitful (learn ‘hectic’) 2021, finishing work on How I Met Your Father and the third season of Love, Victor. In addition to I Want You Back—which Isaac says was written some time in the past and was ready for the forged to fall into place—they’ve additionally wrapped up their work on the sixth and remaining season of This is Us.

    Speaking about their headspace when there are as many characters and storylines to maintain observe of, Elizabeth tells with amusing, “Right now, yes, it is all a little crazy. I Want You Back has been with us for a long time, and we are now so close to people finally getting to watch it. It’s exciting that we are nearing the finish line. But yes, it’s all bonkers!”