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  • Miheeka Bajaj’s Stunning Photo With Rana Daggubati On Their First Wedding Anniversary Leave Shruti Haasan In Awe

    Hyderabad: Actor Rana Daggubati and Miheeka Bajaj tied the knot on August 8 in Hyderabad final yr and it’s already a yr. The couple celebrated their first marriage ceremony anniversary in a dreamy manner on Sunday. Posting a glimpse from their celebrations, Miheeka shared a shocking image with the Baahubali star and adorably wished him on social media. In the picture, Miheeks may be seen clad in a glamorous white backless robe whereas Rana compliments his lovely spouse in an all-white go well with.Also Read – Rana Daggubati’s Haathi Mere Sathi Postponed Due to COVID Scare, Here’s The Official Confirmation Sharing the picture, she wrote, “Happy anniversary my love! It’s been the most blissful year! I love you to the ends of the world and more! Thank you for being you and being the most wonderful human being!! Here’s to a lifetime more.. Because it’s a countdown till we’re not around … @ranadaggubati #mylife #mylove. (sic)” Also Read – Rana Daggubati FINALLY Opens Up About His Severe Illness, Says ‘There Was Calcification Around Heart, Failed Kidneys’ Check It Out Here:Miheeka Bajaj Shares Stunning Picture With Rana Daggubati On First Wedding Anniversary Rana’s sister-in-law Samantha Ruth Prabhu dropped the remark ‘God bless you both’. Shruti Haasan wrote, “awww happy anniversary lovelies !!” Also Read – Karwa Chauth 2020: Neha Kakkar, Kajal Aggarwal, Miheeka Bajaj, Prachi Tehlan And Other Celebs Celebrate Festival For First Time

    Check Reactions Here: Fans Love Rana Daggubati-Miheeka Bajaj’s image Rana and Miheeka had a close-knit marriage ceremony with solely 30 company in attendance as a consequence of Covid-19 tips. The marriage ceremony was attended by Ram Charan, Allu Arjun, cousin Naga Chaitanya and sister-in-law Samantha Ruth Prabhu and others.

  • Rana Daggubati-Miheeka Bajaj have a good time first wedding ceremony anniversary with gorgeous pic, Samantha Ruth Prabhu has this to say

    They say time flies, and positive it did within the case of Rana Daggubati and Miheeka Bajaj. The couple celebrates their first wedding ceremony anniversary at present. The two acquired married in a personal but lavish wedding ceremony ceremony in 2020, amid the coronavirus pandemic. On Sunday, Miheeka handled her and Rana’s followers to a surprising picture. The picture options the couple wearing all white. While Rana is trying on the digicam, Miheeka can not take her eyes off Rana. Sharing the image on Instagram, Miheeka thanked Rana for being himself. She stated the final one yr has been “most blissful.”

    “Happy anniversary my love! It’s been the most blissful year! I love you to the ends of the world and more! Thank you for being you and being the most wonderful human being!! Here’s to a lifetime more.. Because it’s a countdown till we’re not around … @ranadaggubati #mylife #mylove,” the caption of the image learn. As quickly as she shared the picture, her family and friends members joined to congratulate the couple. Samantha Ruth Prabhu was one of many firsts to remark. She wrote, “God bless you both.” Cookie Boolani wrote, “My beautiful Miheeks! Happy anniversary both of you!.”

    Earlier this yr, Miheeka additionally celebrated a yr of wedding ceremony proposal by Rana. She posted the primary image Rana posted on his social media handles by which he wrote, “She said yes.” Sharing the image on Instagram, Miheeka stated saying sure to Rana was the “best decision ever.”
    “He asked and I said yes… Best decision ever! Can’t believe it’s been a year already! Thanks for asking btw 😉 I love you! 💖@ranadaggubati,” she wrote.

    Last yr, Rana Daggubati broke the web with the information of him getting married. He posted a cute selfie with Miheeka and wrote “She said yes” over it. Soon, he spoke about how he met Miheeka and the way he felt she is the fitting life associate for him,
    “For the first time, I thought we should do it quickly. So, she must have done something. When things are good, I don’t ask questions. I just went with the flow. The girl was right. I can’t put it in words. I met her and felt I can do this long term with her. It happened quick and in the most simple manner,” the actor instructed his pal Lakshmi Manchu over an Instagram dwell.
    On the work entrance, Rana has Viraata Parvam and the Telugu remake of Ayyappanum Koshiyum in his kitty.

  • Prabhas, Mahesh Babu and Pawan Kalyan to conflict on Sankranti: Who will win the field workplace?

    The stakeholders within the Telugu movie business had been nervous when the producers of Allu Arjun’s Ala Vaikunthapuramulo and Mahesh Babu‘s Sarileru Neekevvaru decided to release their films on the same day. Both the films were set to hit the screens on January 12, 2020, to cash in on the Sankranti holiday, as that would have guaranteed in more footfall at the theatres. The producers and distributors knew that these films would eat into each other’s opening day assortment and neither the celebrities or the distribution chain might afford it.
    The Telugu producers guild instantly swung into motion and brokered a compromise between the makers of Ala Vaikunthapuramulo and Sarileru Neekevvaru. According to the compromise, Mahesh Babu’s movie hit the screens on January 11, whereas Allu Arjun’s movie launched the following day, thus guaranteeing an uncontested opening day for each the releases.

    However, for subsequent Sankranti, the distributors and producers are below great stress once more as there is likely to be a face-off between Prabhas, Pawan Kalyan and Mahesh Babu as every star has their movie lined up for the festive vacation.
    If it weren’t for the second wave of coronavirus, Prabhas‘ new romantic drama Radhe Shyam would have opened in cinemas July 30. The pandemic delayed the shooting, which was finally only completed on July 29. The producers didn’t waste time in asserting that the movie would launch in theatres for the Sankranti vacation.
    Prabhas and Pooja Hegde in Radhe Shyam.
    Radhe Shyam, which is about in unique European locales, is Prabhas’s first romantic movie in over a decade. Fans’s pleasure is palpable as his final function within the style was in Mr Perfect, which launched in 2011. Adding additional gasoline to the anticipation is the truth that Radhe Shyam will launch throughout the nation in a number of languages, as Prabhas is a ‘pan-Indian’ star, owing to the staggering success of his Baahubali franchise. Baahubali: The Conclusion had collected Rs 1000 crore in simply 10 days of its launch, signifying the star’s overpowering clout.

    Prabhas’ present nationwide standing is probably going so as to add stress on the producers of different star movies, that are additionally slated for Sankranti launch. Before Prabhas, Mahesh Babu had already introduced that his upcoming film Sarkaru Vaari Paata will open in cinemas for a similar competition. And later Pawan Kalyan additionally joined the Sankranti race along with his upcoming untitled film, which is the official remake of Malayalam hit Ayyappanum Koshiyum.
    In addition, there may be competitors from the neighbouring state Tamil Nadu as Vijay’s Beast can also be on the brink of hit the screens for Pongal. While the Vijay movie is probably not a a lot of a problem for the celebrities within the Telugu states, it’s formidable competitors in Tamil Nadu, Karnataka, Kerala and sure pockets of North India, the place Vijay has an enormous fan following.
    It is a nightmarish state of affairs for all of the stakeholders within the worth chain. The competitors on the field workplace is prone to flip cut-throat and shrink the respiration area for all movies within the Telugu states, creating an environment the place a movie might both survive or fail, however unlikely to thrive.
    The logic dictates that one among these three blockbusters has to tug out of the race, making a respiration area for the opposite two movies. It is a battle of nerves and it stays to be seen who blinks first. Otherwise, subsequent Sankranti will see be a massacre on the field workplace in Tollywood.

  • Miheeka Bajaj celebrates a 12 months of claiming ‘Yes’ to Rana Daggubati: ‘Best decision ever’

    Rana Daggubati followers have nonetheless not come to phrases with the truth that the actor has tied the knot, and shortly it’ll his first marriage ceremony anniversary. On Wednesday, Miheeka Bajaj celebrated a 12 months of Rana Daggubati proposing her for marriage. She posted the primary image Rana posted on his social media handles by which he wrote, “She said yes.” Sharing the image on Instagram, Miheeka stated saying sure to Rana was the “best decision ever.”
    “He asked and I said yes… Best decision ever! Can’t believe it’s been a year already! Thanks for asking btw 😉 I love you! 💖@ranadaggubati,” she wrote.

    Last 12 months, Rana Daggubati broke the web with the information of him getting married. He quickly went dwell along with his finest good friend and actor Lakshmi Manchu to speak in regards to the sudden announcement. In the dwell session, he spoke about assembly Miheeka and selecting the best life accomplice.
    “For the first time, I thought we should do it quickly. So, she must have done something. When things are good, I don’t ask questions. I just went with the flow. The girl was right. I can’t put it in words. I met her and felt I can do this long term with her. It happened quick and in the most simple manner,” the actor stated.
    When he was requested if he discusses scripts with Miheeka, he stated she continues to be determining his career.

    Miheeka Bajaj and Rana Daggubati tied the knot on August 8 final 12 months. Their grand marriage ceremony was a personal affair with solely shut family and friends members in attendance.
    On the work entrance, Rana has Viraata Parvam, Haathi Mere Saathi and the Telugu remake of Ayyappanum Koshiyum in his kitty.

  • Films delayed, losses mount: Hindi movie trade stares at hunch ‘worse than 2020’

    As coronavirus numbers spike, 2021 has began feeling like a 2020 redux.
    The Hindi movie trade that has been bleeding for over a yr now, noticed a glimmer of hope in the beginning of the brand new yr as Roohi managed to deliver audiences again to cinema halls, adopted by Mumbai Saga. It appeared good instances had been forward as filmmakers introduced the discharge dates of their upcoming movies, with Sooryavanshi, Chehre, Banti Aur Babli 2, Radhe: Your Most Wanted Bhai and Satyamev Jayate 2 lined up for launch within the coming months.
    However, as COVID-19 went on rampage once more, amid the surging numbers, clampdowns and evening curfews, many filmmakers have already withdrawn their movies’ launch dates. While Haathi Mere Saathi makers determined to delay its launch, Chehre and Bunty Aur Babli 2 have additionally been postponed. Internationally, Marvel tent-pole The Black Widow’s launch date has once more been shifted. Punjabi movie Puaada, starring Ammy Virk, has additionally delayed its launch. There are studies that another huge Hindi movies could push their launch dates once more.

    This means humongous losses for a movie trade that helps lakhs of individuals – from actors and administrators to technicians and daily-wagers. The as soon as bedazzling theatres and cinema halls put on a abandoned look, even because the trade wonders the way it will take care of the huge prices it’s ill-prepared to fork out. An trade which is already coping with losses going into 1000’s of crores, says it’s going to be worse than 2020 if losses carry on mounting.

    Film producer Anand Pandit was assured of releasing his Amitabh Bachchan-Emraan Hashmi-starrer Chehre in cinemas. Less than a fortnight in the past, he had informed indianexpress.com, “Now that films are being released in theatres, businesses are slowly going back on track. At this point we know how to better take care of ourselves by following SOPs and COVID-19 related protocols. There was a fear that had set in the mind of people, now everybody is more careful and responsible. So, it is a good time for our films to release in theatres.”
    However, on Tuesday, Pandit introduced that Chehre won’t launch on April ninth as deliberate earlier. He mentioned, “I have always lived by the maxim of ‘safety first’. Given the rising number of COVID cases, it is only right that we delay the release of Chehre. Audiences have already showered the trailer with a lot of love and every member associated with ‘Chehre’ wants cinema lovers to watch it on 70 mm. We are ready to wait for the right time and to ensure our audiences remain safe.”

    It just isn’t solely producers who’re caught in a decent spot, movie exhibitors and cinema house owners are having a tricky time too.The evening curfews again in Mumbai, which make it necessary to shut theatres by 8 pm. With the 50% occupancy clause in SOPs, exhibitors are apprehensive that individuals gained’t come to look at movies in any respect, and now they’re additionally involved that they gained’t have new movies to indicate too.
    Akshaye Rathi, a movie exhibitor and distributor with operations unfold throughout the central Indian states of Maharashtra, Madhya Pradesh and Chhattisgarh, calls this a “haphazard solution”.

    So a lot of hypothesis in regards to the launch plans of #Sooryavanshi & #Radhe. If there may be any change, the producers will announce it! Let’s maintain our horses & not make assumptions with out figuring out the information! #Cinema #India #Films
    — Akshaye Rathi / अक्षय राठी (@akshayerathi) March 30, 2021
    He says, “I have absolute faith in the authorities of our country, pretty much everything has been opened up, whether it is political rallies, restaurants or moving on the streets. And, looking at the numbers of Godzilla vs Kong, even after a very limited release, it looks like people are ready and more than willing to come back to theatres.”

    Terrific footfalls for #GodzillaVsKong all around the nation! The viewers is responding fabulously to content material that calls for the theatrical expertise & showering it with their love & cash! Can’t wait to look at this mammoth conflict on the most important display screen in my neighborhood! How about you?
    — Akshaye Rathi / अक्षय राठी (@akshayerathi) March 24, 2021

    Rathi needs the federal government to pay heed to the necessity to reopen cinema halls for them to earn their residing and pay salaries to their workers. He says, “After one year of depriving cinemas of absolutely any income, after not giving them any kind of financial relief or support, the only thing that the government authorities can do is let them earn their own bread and let them enough to pay the salaries of millions of employees this sector employs.”
    Annoyed with the truth that different companies and political actions keep unaffected whereas cinemas bleed to demise, he mentioned, “Lakhs and lakhs of people are going out for political rallies and when streets are crowded, I don’t think they won’t come for movies that they really want to watch, knowing that cinema halls are following all the rules properly and are following for best safety regulations.”
    Last week, Mumbai’s BMC introduced that individuals should present a adverse COVID-19 report or get a speedy take a look at carried out earlier than getting into a mall. How does this new rule have an effect on cinemas, Nitin Dattar, proprietor of a theatre in Karad, Maharashtra and president of the Cinema Owners and Exhibitors Association of India says, “The theatres which were closed for almost a year have slowly started opening up and operating, in Mumbai, Pune, Kolhapur and other parts of the country too. With this second wave, and producers delaying their films’ release, cinema halls, especially the single screens and exhibitors are going to have a tougher time this time.”

    He additionally says, “The SOPs that the government has recently published, for cinema halls, states that if in a cinema or in its compound, if four or more people are found together without maintaining social distancing, then the government or the local authority has got the right to suspend the license until the coronavirus situation is under control, or declared to be controlled by the central government. I think this is a very harsh clause imposed on cinemas, because all theatre owners are trying their best to follow SOPs. At the same time, the audiences also need to act responsibly. We have requested the state government to help us as we have just started our cinemas. Even if they help us with police constables, they can control the weekend crowd.”
    Worried about not having the ability to pay cinema workers their salaries, Dattar added, “One single screen cinema employs at least 100 employees, how do we pay their salaries? What about the owner, who has no income but continues to pay electricity bills, and other taxes. We had a good business in the first week of Mumbai Saga, so we were hopeful, but now we don’t have any films. We were very hopeful when Roohi and Mumbai Saga released, because the line of releases was exciting and people were looking forward to it, but now with films like Bunty Aur Babli 2, Chehre’s release delayed, it all looks hopeless, it is like we are not back to square one, but minus one.”

    Nambi Rajan, proprietor of Sion’s landmark single display screen — Aurora theatre, the place folks from all around the metropolis flock to look at south Indian movies has been shut because the COVID-19 induced lockdown. Rajan says, “we were quite hopeful that we will be able to restart operations this year. Mammoothy’s The Priest did so well in Kerala so we thought it would do well in Mumbai too, but it didn’t. So, we didn’t open Aurora even this month, and now we are not even planning to restart any time soon. I had spoken to a few hospitals and malls to employ my staff and security people, and they are working there, some never returned from their native places, but once things start we will be in a better state and we’ll be able to bring them back.”
    Various cinema house owners and exhibitors have expressed concern over their enterprise falling aside on account of COVID-19, with no options at hand. Producers are in a double whammy state of affairs too, with their movies not incomes effectively on being launched in theatres. People are selecting to look at content material within the consolation and security of their properties. The query stays: what occurs to those dream factories?

  • Prabhu Solomon on Aranya: ‘We shot with Rana Daggubati in the toughest of locations’

    Director Prabhu Solomon, who’s finest recognized for movies similar to Mynaa, Kumki and Thodari, is again on the field workplace with the Rana Daggubati-starrer Aranya. The movie can be launched on March 26. Produced by Eros International, the film stars Vishnu Vishal, Zoya Hussain and Shriya Pilgaonkar in pivotal roles. The actioner can be releasing in Tamil and Hindi with the titles Kaadan and Haathi Mere Saathi respectively.
    Ahead of the discharge of the movie, Prabhu Solomon interacted with the media and revealed what impressed him to make Aranya. Here are the excerpts from the dialog.
    How did your journey for Aranya began?
    I used to be doing my analysis in Masinagudi, close to Mudumalai, for Kumki in 2013. While I used to be interacting with the mahouts and their households, I spotted that there are lots of untold tales about elephants – how their inhabitants is lowering in India and the way essential their position is in forests. I couldn’t incorporate all the knowledge in Kumki because it was a love drama. So, I used to be ready for the correct platform to inform these tales. When Eros approached me and advised me about their plans to make a movie based mostly on human-animal battle, I steered the plotline of Aranya. I travelled to Assam’s Kaziranga to know extra particulars about the place the wall was constructed within the reserve forest. One man is combating within the courts to interrupt that wall, and the case has been occurring since 2008. This is how the story of Aranya started.

    After getting a greenlit for Aranya from Eros, I began auditions for the position of the forest man of India. I needed somebody who was about 6 toes tall, I needed to mould this character on the Moses from The Ten Commandments movie. We roped in Rana Daggubati, and after practically three years, we’re right here for its launch.
    Did you are taking any inspiration from the story of Jadav Payeng, the forest man of India?
    Even although the story of the forest man of India impressed me, Aranya isn’t his story. I took the essence of Jadav Payeng’s life. Aranya is totally concerning the elephants and a person who gave his voice to their plight.
    Were there any difficulties for you whereas taking pictures for the movie?
    The challenges began from the placement recce itself. First, we went to Vietnam, then to Myanmar, and eventually, we took Thailand as a center level. We even went to Sri Lanka however they advised us that they received’t enable taking pictures with the elephant calves. I wanted a herd of elephants for filming functions, and we acquired it in Thailand as there are such a lot of non-public elephant parks accessible.
    Is Aranya going to concentrate on the animal abuse points which have occurred lately within the nation?
    Aranya received’t be discussing the problem however I’ve at all times spoken towards violence towards animals. As people, all of us should change our perceptions of animal cruelty. Otherwise, it is going to be simply information.
    How is Rana Daggubati’s efficiency within the film?
    I have to thank Rana Daggubati for accepting the lead position. It’s an journey movie the place we shot within the hardest places with none manufacturing perks for the artists and crew.
    Many films have already come based mostly on human-animal battle. How is Aranya going to be a special one from them?
    I’ve not seen any movie as intense as Aranya, from the attitude of human-animal battle. The film relies on a real occasion that occurred in Assam. I’ve adopted that downside in a means that I could make a film on it. Aranya is totally a movie about elephants. It depicts the love between a person and a herd of elephants.

  • Virata Parvam​ teaser: Rana Daggubati, Sai Pallavi promise a revolutionary love story

    Telugu celebrity Chiranjeevi on Thursday unveiled the teaser of the upcoming movie Virata Parvam. He described the movie as “raw and realistic” whereas sharing it on his Twitter web page. “Happy to launch #VirataParvamTeaser,” he tweeted. “It looks raw and realistic. Great storytelling by @venuudugulafilm. My best wishes to @RanaDaggubati and @Sai_Pallavi92 Good luck to the entire team @SLVCinemasOffl @SureshProdns (sic).”
    Virata Parvam has Rana Daggubati and Sai Pallavi within the lead roles. Set towards the backdrop of the Nineties Naxal motion, it’s written and directed by Venu Udugula of Needi Naadi Oke Katha fame.
    The teaser opens with Rana Daggubati’s character, who’s a Naxal chief, penning revolutionary literature. Cut to the following scene, we meet Sai Pallavi ‘s character, who is smitten by Rana’s writing and has fallen in love with him. So a lot in order that she takes a hazardous journey of becoming a member of him on the battleground, which is prone to flip her life the wrong way up.

    “The conflict of views between the characters of Rana, Sai Pallavi and Nandita Das form the core theme of the movie. Despite having the chances of getting differing opinions on the film’s content from different sectors, director Venu Udugula is determined to narrate the story with an utmost realistic approach,” a supply near the manufacturing had instructed indianexpress.com earlier.
    Virata Parvam​ has been shot in Kerala, Karimnagar and Warangal districts of Telangana. The movie additionally stars Eswari Rao, Priyamani and Zareena Wahab in pivotal roles.
    Virata Parvam is collectively produced by Suresh Babu Daggubati and Sudhakar Cherukuri. It is about to launch on April 30.

  • ‘Content will continue to exist’: Rana Daggubati on cinema halls vs OTT debate

    Actor Rana Daggubati says the theatrical expertise within the nation will not be at risk because the spectacle films will at all times discover an viewers on the large display.
    Daggubati’s newest action-drama Haathi Mere Saathi is gearing up for a theatrical launch in March, a 12 months after it was initially scheduled to open.
    The Prabhu Solomon-directed movie was pushed as a result of coronavirus-led lockdown, which noticed many producers heading to the OTT platform for the discharge of their films.
    When requested about the way forward for theatrical expertise, Daggubati stated going ahead, there will likely be a transparent demarcation between tales meant for the large display and OTT platforms.

    The Baahubali star, 36, stated that 2020 has been a studying, that regardless of the medium, movies will proceed to be made.
    “Pandemic has taught us that the quantity of content material we are able to eat has gone up by ten instances. There will likely be particular cinemas or tales that you simply’ll watch on OTT and there will likely be particular experiences you’ll go to the theatre for.
    “Content will continue to exist, whether it’s in cinema halls or on OTT. Cinema halls will always be the place for spectacle story experiences. Now, the cinemas in south India have a better collection than they ever had,” the actor stated on the trailer launch of Haathi Mere Saathi, the place was joined by Solomon and the movie’s different forged, actors Pulkit Samrat, Shriya Pilgaonkar and Zoya Hussain.

    Haathi Mere Saathi chronicles the journey of a person, performed by Daggubati, who fights for the jungle and animals. The movie is described as a mirrored image of the environmental disaster the world over.
    Hussain, who made her movie debut with Anurag Kashyap’s 2017 sports activities drama Mukkabaaz, stated Haathi Mere Saathi will not be solely a visible deal with but in addition gives a well timed message.
    “Last 12 months highlighted the significance of residing organically, in sync with nature, giving again to the surroundings and preserving it.
    “The film doesn’t tell, it shows. It’s an audio-visual experience to feel what it is to be one with nature,” Hussain stated.
    Samrat, whose characteristic movie Taish was launched on OTT platform ZEE5 final 12 months, additionally believes that cinemas will survive the digital increase.
    “The cinema expertise will not be at risk. Both OTT and the large display have their perks. In our nation, going to a cinema corridor is extra of an outing. We see households going out, college students flocking it.
    “Going to cinemas is a culture which is why it is difficult for anything to take it over,” he stated.
    Produced by Eros International, the movie will likely be launched in Hindi, Tamil and Telugu.
    Pilgaonkar stated it was a problem for her to shoot the movie in three languages. The Mirzapur actor was clear that she didn’t need to “speak gibberish” and therefore labored carefully with writers of all three languages earlier than each shot.
    “Prabhu sir likes to improvise and a number of instances, I used to be getting my dialogues minutes earlier than the scene. Initially, it was difficult, it took some time for the rhythm to set in. Prabhu sir was clear that the main focus needed to be on the feelings and never be distracted by the language.

    “I observed how Rana, in Telegu, would do something and then for Tamil he would do the same thing differently and something new again in Hindi. Prabhu sir and Rana had a clear understanding of how these industries work. I enjoyed observing those nuances,” she added.
    Haathi Mere Saathi, which has no reference to Rajesh Khanna”s 1971 Hindi movie of the identical title, is slated to be launched on March 26.

  • Rana Daggubati on spouse Miheeka: She remains to be determining what I do for a dwelling

    Actor Rana Daggubati is about to make his comeback to the silver display together with his much-awaited movie Haathi Mere Saathi. Directed by Prabhu Solomon, the movie presents him in a task fairly completely different from his onscreen persona, and that is what makes it particular for the actor. In Daggubati’s phrases, his character of Bandev is any person who’s “beyond us”.
    Talking about why he took up Haathi Mere Saathi, the Baahubali star stated, “With every such film, you explore a new world. It teaches you a lot and you grow as an actor. Also, even the audience gets entertained by such concepts. So, I had no other option but to experiment.”
    In the film, Daggubati performs a person named Bandev who has grown up within the jungle and considers elephants as his household. The trailer of the movie, which launched on Thursday, exhibits how Bandev is able to go to any extent to maintain the jungle and its elephants protected. Director Prabhu Solomon feels Bandev is near Tarzan.
    Though initially, Daggubati had issue in understanding his character, he additionally believes, “Bandev is the noblest character I have played till date, a character you want to exist in the society.” The 36-year-old actor spent an entire yr within the jungle to grasp nature, the character and the animals. He stated the expertise of taking pictures for the movie “changed me as a human being forever. We spent a year in the forest and it changed our understanding of wildlife.”

    For Daggubati working with elephants was a studying expertise. He stated, “For me, elephants were the wisest co-actors. I learned from them a lot more than I learned from my other co-stars.”
    The actor, who has labored in movies like Ghazi and Baahubali, additionally shared his ideas on OTT vs theatrical releases. He stated that whereas the yr 2020 has modified folks’s viewing expertise and preferences, nonetheless there are movies that deserve viewing on the massive display. But he agrees that the 2 medium will proceed to remain and flourish collectively.

    On a concluding be aware, when quizzed if his spouse Miheeka contributes to his resolution of engaged on a movie or takes curiosity in his initiatives, the actor laughed and stated, “No, she’s figuring out what I do for a living.”
    Apart from Haathi Mere Saathi, Rana Daggubati can even be seen in Virata Parvam. The movie, directed by Venu Udugula, additionally stars Sai Pallavi within the lead position and is scheduled for April 30 launch.

  • Pawan Kalyan-Rana Daggubati movie goes on the ground

    The capturing of the Telugu remake of Malayalam hit Ayyappanum Koshiyum started on Monday in Hyderabad. The yet-untitled movie stars Pawan Kalyan and Rana Daggubati within the lead roles.
    The makers have deliberate a 10-day lengthy first schedule to shoot a excessive octane motion sequence involving Pawan and Rana, below the supervision of motion choreographer Dilip Subbarayan.
    Producer Suryadevara Naga Vamsi is bankrolling the multi-starrer below Sithara Entertainments banner. Sagar Okay Chandra of Appatlo Okadundevadu fame is helming the movie. Ace director Trivikram has been roped in to pen the screenplay and dialogues.

    Besides Pawan Kalyan and Rana Daggubati, the film additionally stars Samuthirakani, Murali Sharma, Brahmaji and Narra Srinu.
    On the work entrance, Pawan Kalyan’s Vakeel Saab is preparing for a theatrical launch. And, Rana Daggubati’s Aranya is scheduled for a worldwide launch on March 26.