Tag: satyajit ray

  • Veteran Actor And Dramatist Pradip Mukherjee Dies at 76

    Actor Pradip Mukherjee Dies at 76: Pradip Mukherjee, who starred in Satyajit Ray’s Jana Aranya breathed his final on Monday at 8:15 am in a Kolkata hospital. The thespian was admitted to a personal hospital as a consequence of a lung an infection and later shifted to a state-run hospital when his situation worsened. Mukherjee  is survived by his spouse, a son and a daughter. He acted in over 40 movies and made his debut with Satyajit Ray’s Jana Aranya. West Bengal chief Minister Mamata Banerjee provided condolences on the veteran’s demise and mentioned in her assertion, “I am saddened on getting the news of the death of Pradip Mukherjee. He had left his mark in Satyajit Ray’s Jana Aranya, Rituparno Ghosh’s Utsav and Buddhadeb Dasgupta’s Dooratwa. His death left a deep void.”Also Read – Ozzy Osbourne Paranoid About Staying In USA, Set On Going Back To UK

    Some of his famous works are Hirer Angti (1992), Mondo Meyer Upakshan (2002) and Torulatar Bhoot (2021). Also Read – 12 Protesters Shot Dead, Many Wounded As Violent Clashes Break Out In Baghdad, Live Fire Reported From Iraqi Capital

    For extra updates on Pradip Mukherjee dying, try this area at India.com. Also Read – Twitter Whistleblower Will Depose In Elon Musk-Twitter Legal Battle

  • Paresh Rawal, Revathi to star in movie adaptation of Satyajit Ray’s Golpo Bolo Tarini Khuro

    A Hindi characteristic movie adaptation of legendary filmmaker Satyajit Ray’s brief story Golpo Bolo Tarini Khuro is within the works, the makers introduced on Monday.

    Titled The Storyteller, the film will star Paresh Rawal, Adil Hussain, Revathi and Tannishtha Chatterjee. Ananth Narayan Mahadevan will direct the movie, which is backed by Jio Studios in affiliation with Purpose Entertainment and Quest Films.

    In the story about originality versus plagiarism, Satyajit Ray poses a bigger query: “What is more important – the story or the storyteller?”

    Ananth Narayan Mahadevan, identified for National Award profitable Marathi movie Mee Sindhutai Sapkal, mentioned the workforce is “happy and honoured” to introduce the grasp storyteller to the youthful era with the upcoming film.

    “The Storyteller, a timeless fable, explores the mindset of people who exploit and are exploited. Ray’s subtle treatment of the subject makes one smile at what is, in fact, a revenge story. An amalgamation of wit, drama, and even suspense, the film is an attempt to bring Ray to a generation that has only heard about him or been occasionally exposed to his collection,” the filmmaker mentioned in an announcement.

    Last week, a restored model of Satyajit Ray’s 1970 movie Pratidwandi (The Adversary) was screened on the Classics part of the continued seventy fifth Cannes Film Festival.

  • Satyajit Ray’s work evokes initiatives from Big Bazaar, Roadshow at Cannes

    By IANS

    LOS ANGELES: A restored model of Indian maestro Satyajit Ray’s ‘The Adversary’ is enjoying at Cannes Classics this yr and movies impressed by his works are being deliberate.

    Kolkata-based Indian producer-director Aritra Sen’s Roadshow Films and Los Angeles-based British writer-director Alex Harvey’s Big Bazaar Films are producing two movies this yr, which take their inspiration from Ray’s life and work, studies ‘Variety’.

    First up is function documentary ‘Forest of Humans’, which appears at Ray’s inventive relationship with Kolkata, town the place he lived and labored all his life.

    Directed by Harvey and produced by Sen, the documentary explores the numerous methods by which Ray used Kolkata’s various humanity to create a complete cinematic world. Filming virtually fully on location in Kolkata, ‘Forest of Humans’ goals to indicate how Ray’s poetic world continues to be mysterious and alive within the metropolis at the moment.

    “Kolkata endlessly fed Ray’s imagination,” says Sen.

    “In return Ray gave the city its sense of self.”

    “His films never try to idealise Kolkata but constantly transform how it is perceived,” says Harvey.

    “Look at ‘The Adversary’s’ disaffected anti-hero who is seen apart from his city, unable to find solace in its casual pleasures.”

    ‘The Adversary’ additionally partly offers the inspiration for ‘Prantik’, a recent drama set in Kolkata and London.

    It takes as its start line the same premise – the story of a younger man who, when his father dies, is pressured to make his personal method within the metropolis. ‘Prantik’, which can be directed by Sen, with Harvey serving as inventive producer is slated to shoot this fall.

    “In addition to ‘Prantik’ and ‘Forest of Humans’ we’re also planning a period film called ‘Niru,’ set in the Calcutta (as the city was called then) of the 1880s, at the height of the Raj, and based on Ibsen’s play, ‘A Doll’s House.’ Ray’s extraordinary film, ‘Charulata’, is proving to be a great creative inspiration for that project,” Harvey and Sen mentioned.

    Both filmmakers mentioned they’re dedicated to exploring the wealthy legacy provided by Ray.

    “Ray was the reason I wanted to work in film, the reason I feel in love with cinema,” says Sen.

    “Ray is the most complete auteur in the history of cinema. He wrote, designed, directed, edited and even composed the musical score for his films. You can learn everything from Ray.”

    Sen beforehand produced collection ‘Feluda’ based mostly on tales by Ray. Harvey’s final movie was combined martial arts documentary ‘Enter the Jungle’

  • When Satyajit Ray accepted his Oscar award from a hospital mattress in Kolkata: ‘Best achievement of my moviemaking career’

    Very few Indians have been honoured by what is often thought-about the best honour in cinema across the globe – the Oscar awards. One of essentially the most proclaimed Indian filmmakers Satyajit Ray was honoured by the Academy on the sixty fourth Academy Awards in 1992 with the Honorary Award however Ray couldn’t be there in individual to gather his award in individual owing to his in poor health well being.

    At the time, Ray was hospitalised in Kolkata and couldn’t fly to Los Angeles however a video message from the auteur was proven on the ceremony in Dolby Theatre. Ray’s award was introduced by actor Audrey Hepburn who described his work as a “rare mastery of the art of motion pictures and his profound humanism which has had an indelible influence on filmmakers and audiences throughout the world.”

    Ray’s video has him mendacity in a hospital mattress together with his Oscar statuette in his hand as he offers his speech. “It’s an extraordinary experience for me to be here tonight to receive this magnificent award, certainly the best achievement of my moviemaking career,” he mentioned.

    Ray spoke in regards to the affect that American cinema had on his filmmaking journey. He mentioned, “I have learnt everything about the craft of cinema from the making of American films. I’ve been watching American films very carefully over the years and I love them for how they entertain and then later, loved them for what they taught so I express my gratitude to the American cinema, towards the Motion Picture Association who has given me this award and who made me feel so proud.”

    The ceremony in 1992 was held on March 30 and fewer than a month later, on April 23, Ray handed away on the age of 70 in Kolkata. To date, Ray is the one Indian to have been honoured with an Honorary Award.

    Ray is named one of many most interesting filmmakers on the earth and is remembered for his movies like Pather Panchali, Charulata, Mahanagar, Sonar Kella, Shatranj Ke Khiladi amongst others.

  • Ray Movie Review: Satyajit Ray Inspired Short Stories With Modern Twists Will Keep You At Edge Of Your Seat

    Ray Movie Review: The prolific filmmaker and author Satyajit Ray is thought for his impeccable filmmaking expertise and there’s no doubt about it. Though his writing prowess didn’t obtain a lot recognition in India outdoors Bengal attributable to lack of fine translation, Netflix’s new providing is got down to change that notion. Ray is a compilation of Satyajit Ray’s 4 traditional brief tales and it’ll maintain you glued to your seat. The fashionable twist to Satyajit Ray’s 4 traditional tales will maintain guessing until the very finish of every episode and this must be famous that every episode is a possible film. Also Read – Ray Leaked Online, Full HD Available For Free Download Online on Tamilrockers And Other Torrent Sites Forget Me NotForget Me Not – impressed by Satyajit Ray’s Smritibrom, stars Ali Fazal, Shweta Basu Prasad, and Shruthy Menon. It will maintain you on the fringe of your seat with its plot based mostly on a person named Ipsit Rama Nait (Ali Fazal) who has a mind of a pc and by no means forgets something. The twist within the story comes when Rhea Saran (Anindita Bose) meets Ipsit and tries to make him recall their assembly on the Ajanta Caves. The Srijit Mukherji directorial will maintain you guessing your self if Ipsit ever went to Aurangabad or not, identical to he will get completely paranoid about dropping his reminiscence as he ‘never forgets anything’. Also Read – The Family Man 3: Vijay Sethupathi To Battle Against Manoj Bajpayee After Turning Down Offer For Season 2?

    BahrupiyaBahrupiya is impressed by Satyajit Ray’s Bahrupi, stars Kay Kay Menon and Rajesh Sharma. In Srijit Mukherji’s directorial, Indrashish Saha ( Kay Kay Menon) has a significant downfall due to his conceitedness and over-confident as a make-up artist, who is sweet with prosthetics. The episode has a nail-biting twist on the finish even after a sluggish begin. The dialogue ‘Aap pehle insaan nahi hai aur akhri insaan bhi nahi honge jo aapne aap ko khuda, bhagwaan samajh leta hai aur muh ke bal girte hai’ offers trace on the intriguing plot. Baharupiya is darkish however entertaining. Also Read – The Family Man: Sharib Hashmi on Being JK Talpade, Manoj Bajpayee, Samantha Akkineni And Mamata Banerjee | Exclusive Hungama Hai Kyun BarpaAbhishek Chaubey’s Hungama Hai Kyun Barpa is impressed by Barin Bhowmik’s Byaram and stars Manoj Bajpayee, Gajraj Rao. Musafir Ali (Manoj Bajpayee) is a ghazal singer who’s seen travelling in a practice with co-passenger Aslam Baig (Gajraj Rao), who was a former wrestler. Both the actors did a commendable job and also will offer you some gentle moments after two darkish episodes. The story relies on Musafir and Aslam who coincidentally meet once more after 10 years throughout a practice journey. While Aslam can’t recall their final assembly, Musafir remembers the incident that happened 10 years again. However, the story has a shocking factor on the finish.

    SpotlightSpotlight starring Harshvardhan Kapoor, Radhika Madan Akansha Ranjan Kapoor, and Chandan Roy Sanyal is impressed by Satyajit Ray’s brief story with the identical title. Vasan Bala’s directorial relies between the well-known Bollywood actor Vikram Arora (Harshvardhan Kapoor) and a girl with divine powers named Didi (Radhika Madan). The twist comes when the Bollywood actor’s fame is challenged by the celebrity of the Godwoman. It is a light-hearted episode and will certainly go away you with a smile. Harshvardhan Kapoor did a good job although he couldn’t deliver the Bollywood actor charisma on-screen. Radhika Madan and Chandan Roy Sanyal are unforgettable. In a nutshell, Ray is a must-watch and can maintain you on the fringe of your seat always. Also, the collection offers you a glimpse of Satyajit Ray’s genius work.

  • FTII, NFAI host digital speak on Satyajit Ray’s centenary yr

    Written by Seona James
    “Satyajit Ray was very precise, meticulous and exact,” filmmaker, editor and screenwriter Aruna Raje Patil stated Saturday.
    Hosting a digital occasion ‘Satyajit Ray Birth Centenary: A Tribute to The Cine Maestro’, to pay tributes to the grasp filmmaker, she added, “The kind of dedication Ray had was amazing. His love for people and humanity – there is so much you can learn from him. You feel so satisfied when you see films so perfectly made.”
    The occasion, organised by the Film and Television Institute of India (FTII) and the National Film Archive of India (NFAI), is the second such digital talks hosted throughout the yearlong celebration of Ray’s delivery centenary.
    The occasion was anchored by Patil together with Amit Tyagi, former Dean at FTII. Also on the panel had been eminent artists actor Sharmila Tagore, National Award-winning actors and filmmakers Aparna Sen and Anant Mahadevan, movie academician Ok Hariharan, movie critic Samik Bandopadhyay and movie producer and actor Mohan Agashe.
    “The Indian cinema for me certainly became a different movement because of Ray (and others)… Every time I watch his films, I learn something new,” stated Mahadevan.
    Sharing her expertise, Sen stated Ray taught her {that a} movie is just not the stringing up of completely taken pictures. “One has to create moments that the audience can take back with them,” she stated, including that by way of all of the little particulars, Ray taught her lots about filmmaking.
    Talking in regards to the a number of aspects of Ray and his skills, Ok Hariharan stated, “He was a complete technician! He always said that he made films for the joy of cinema… He had very limited budget to work with and so he would take on multiple roles – editor, costume designing, workings with the camera… He would work for hours a day to perfect every aspect of the film… I am convinced that regional cinema came into existence because of him.”

    Ray, Sharmila Tagore, stated confirmed one which they didn’t want extraordinary budgets to make movie. “You need extraordinary intuition, imagination and preparation. I think that’s a great learning.”

    Samik Bandopadhyay, in the meantime, spoke at size about Ray’s love for music, cinema and his distinctive workouts. “He was not writing scripts to make films out of them, but to understand and learn the true structure of a film,” he defined.
    Referring to his distinctive portrayal of easy matters, Amit Tyagi stated, “That is the magic of Ray!”

  • Ray trailer: Netflix’s new anthology guarantees an interesting, thrilling experience

    Netflix on Tuesday dropped the trailer of its subsequent unique Ray. The anthology could have 4 gripping tales impressed by the works of legendary filmmaker Satyajit Ray. Manoj Bajpayee, Ali Fazal, Harshvarrdhan Kapoor and Kay Kay Menon will shoulder every story primarily based on ‘ego, revenge, envy and betrayal’. Ray is about to stream on Netflix from June 25.
    The trailer begins with a voice-over stating that mankind is at least God because it too provides delivery and creates one other human. We are then launched to Ipsit Nair (Fazal), a person who is claimed to have the reminiscence of a pc. Next up is Harshvardhan’s Bollywood celebrity who encounters a God girl and is amazed at her recognition. Manoj Bajpayee, contemporary from the success of The Family Man 2, performs Musafir Ali, a ghazal singer, who’s on a journey to hunt his misplaced fame. And lastly, we get a glimpse of Kay Kay Menon’s character, who, regardless of a secure job, desires to create artwork as a make-up artist.
    All 4 characters’ lives go for a toss, and the tales will depict their journey and in addition discover the vulnerabilities and a number of shades of the characters. The 4 tales titled Hungama Hai Kyon Barpa, Forget Me Not, Bahrupiya and Spotlight promise an interesting and thrilling experience for the viewers. Towards the top, the voice-over warns that at any time when a person believes himself to be God, he has a serious downfall.

    Ray has been helmed by Abhishek Chaubey, Srijit Mukherji and Vasan Bala. It additionally stars Gajraj Rao, Shweta Basu Prasad, Anindita Bose, Bidita Bag, Dibyendu Bhattacharya, Radhika Madan, Chandan Roy Sanyal and Akansha Ranjan Kapoor.
    Director Abhishek Chaubey, who labored with Manoj Bajpayee and Gajraj Rao in Ray, shared his pleasure concerning the collaboration. He stated in an announcement, “I am drawn to stories that twist with whimsy and humour. Hardly anyone crafts those better than Satyajit Ray, and a chance to tell this story is a great opportunity for me. With Manoj Bajpayee and Gajraj Rao playing off each other on screen, Hungama Hai Kyon Barpa, I hope is as much of a joy to watch as it was to make. Super stoked about the show and can’t wait for people to watch it!”
    Filmmaker Srijit Mukherjee, who has two shorts to his credit score — Forget me Not with Ali Fazal and Bahrupiya with Kay Kay Menon, added, “Satyajit Ray has been a big inspiration in my life. After faithfully bringing two stories of Ray to life in Feluda Pherot, it is an honour and very fulfilling to reinterpret two more stories of Ray in a decidedly darker space. I also got the opportunity to work with a brilliant cast, including actors like Kay Kay Menon, Ali Fazal and Sweta Basu Prasad across two stories. I’m excited to see how viewers will react to these imperfect and somewhat broken characters.”

    Vasan Bala, on his half, shared that Spotlight has been impressed by the prolific and illuminating works of Ray. He added that it was a possibility for him to collaborate with great expertise. “It’s a pulpy, quirky, music filled tale of some very interesting characters. Harshvarrdhan Kapoor, Radhika Madan, Akanksha Ranjan Kapoor and Chandan Roy Sanyal are in crackling form. Can’t wait for the audience to watch and react to it,” he stated.
    Ray will premiere on Netflix on June 25.

  • Netflix anthology sequence primarily based on Satyajit Ray tales to premiere on June 25 

    By PTI
    MUMBAI: Netflix’s anthology sequence “Ray”, primarily based on legendary filmmaker Satyajit Ray’s 4 tales, will debut on June 25, the streamer mentioned on Thursday.

    Directed by Abhishek Chaubey, Srijit Mukherji and Vasan Bala, the present will current 4 tales of affection, lust, betrayal and reality, tied collectively by the visionary writings of Ray.

    It will function an ensemble solid of Manoj Bajpayee, Gajraj Rao, Ali Fazal, Shweta Basu Prasad, Anindita Bose, Kay Kay Menon, Bidita Bag, Dibyendu Bhattacharya, Harshvarrdhan Kapoor, Radhika Madan, Chandan Roy Sanyal, Akansha Ranjan Kapoor, amongst others Each story in “Ray” explores vulnerabilities and a number of shades of every character.

    Bajpayee and Rao star within the first episode, titled “Hungama Hai Kyon Barpa” and directed by Abhishek Chaubey.

    Mukherji has tackled the second and third episodes, penned by author Siraj Ahmed.

    The second episode, titled “Forget Me Not”, will function Fazal, Basu Prasad and Bose, whereas the third episode, known as “Bahrupiya”, will star Menon, Bag and Bhattacharya.

    Vasan Bala has directed “Spotlight”, the fourth episode, starring Harshvarrdhan Kapoor, Madan, Sanyal and Akansha Ranjan Kapoor.

    Sayantan Mukherjee serves because the showrunner on the sequence, which is produced by Viacom 18’s Tipping Point.

    The yr 2021 marks the beginning centenary of Satyajit Ray, who was identified worldwide for making traditional films like The Apu Trilogy, “Charulata”, “Agantuk” and “Nayak”.

  • Soumitra Chatterjee’s superb presence being missed: Mamata Banerjee

    West Bengal Chief Minister Mamata Banerjee on Tuesday remembered veteran actor Soumitra Chatterjee on his 86th delivery anniversary and mentioned that his “glorious presence” is being missed.
    “Remembering Soumitra (Da) Chattopadhyay on his birth anniversary. He was a legend, who left his mark on everything he did. We miss his glorious presence,” Banerjee tweeted.
    The chief minister, who had inaugurated an exhibition that includes work, movie posters and costumes of Soumitra Chatterjee at a gallery in Kolkata, mentioned that she was touched by the heat of the actor’s household.
    The iconic actor died in November final 12 months following an over-a-month-long battle with a number of illnesses after testing constructive for COVID-19.

    The Dadasaheb Phalke Awardee was also known as legendary filmmaker Satyajit Ray’s ‘alter ego’ in addition to one of many first proponents of the naturalistic fashion of appearing in Bengali cinema.
    Chatterjee had acted in 14 of Ray’s movies apart from that includes in another iconic films reminiscent of Mrinal Sen’s Akash Kusum, Tapan Sinha’s Kshudhita Pashan, Jhinder Bandi and Tarun Majumdar’s Ganadevata.

  • Shah Rukh Khan to be a part of twenty sixth Kolkata movie competition inauguration

    Asserting that the present should go on regardless of the pandemic scenario, West Bengal Chief Minister Mamata Banerjee on Wednesday mentioned celebrity Shah Rukh Khan will grace the digital inauguration of the twenty sixth Kolkata International Film Festival (KIFF) on January 8.
    The seven-day competition will start by paying tribute to 2 greats – auteur Satyajit Ray on his start centenary, and iconic Bengali actor Soumitra Chatterjee, who died of post-COVID issues in November final yr.

    Together we’ll overcome this pandemic. But the present should go on. We are going forward with #KIFF 2021 just about, on a smaller scale. Glad that my brother @iamsrk will be part of us just about on the inaugural occasion on Jan 8, 4pm. Watch Kolkata International Film Festival stay
    — Mamata Banerjee (@MamataOfficial) January 6, 2021
    “Together we will overcome this pandemic. But the show must go on. We are going ahead with #KIFF 2021 virtually, on a smaller scale. Glad that my brother Shah Rukh Khan will join us virtually at the inaugural event on Jan 8, 4pm,” Mamta Banerjee mentioned on Twitter.

    Satyajit Ray’s traditional Apur Sansar, which was Soumitra Chatterjee’s debut movie, can be screened on the inauguration.
    A complete of 131 movies — in characteristic, quick and documentary codecs — can be screened at choose state-run theatres of the town, together with Nandan and Rabindra Sadan.
    Superstars Amitabh Bachchan and Shah Rukh Khan together with different large names of Bollywood had been company on the inaugural ceremony for the previous few years.