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Tag: Sudhir Mishra

  • Afwaah Movie Review: Truth is Around, Take it or Leave it!

    Afwaah Movie Review: Two strangers are on a run. It may seem they’re working from these making an attempt to kill them, however it certainly’s an escape from radicalism, extremism, and patriarchy. Sudhir Mishra’s no-holds-barred deal with political opportunism!

    Afwaah Movie Review by india.com (Photo Created by Jyoti Desale)

    Afwaah Movie Review: It solely takes a bit of information to make you or break you. But, what within the occasion you become a sufferer of information that is every uncommon, nonexistent, and on the same time, is perceived because the final phrase actuality? Afwaah, the most recent from director Sudhir Mishra, supplies you ample alternate options to ask such questions. In its two-hour-long narration, it locations you correct in between its hustling characters and lets you experience the turmoil of dwelling in a state the place politics means opportunism and religion means social divisiveness.

    Nivi (Bhumi Pednekar), the daughter of a senior political chief, elopes after realising that her fiance, Vicky Bana (Sumeet Vyas), the youthful face of the get collectively, would not fear encouraging religious riots if that’s what it takes for him to level out his vitality. Fate makes her bump into Rahab Ahmed (Nawazuddin Siddiqui), an NRI and a non-practising Muslim, who’s proper right here for an off-the-cuff homecoming experience and a literary pageant inside the state. A rumour – afwaah – locations them on a journey the place they will each fight the sick vitality of religious hatred or save their lives nonetheless regardless of they do, they’ve to remain collectively!

    Sudhir Mishra, of ‘Hazaaron Khwahishein Aisi’, ‘Khoya Khoya Chaand’, and ‘Chameli’ fame, as quickly as as soon as extra decides to not mince his phrases. Afwaah is every his aggression and disappointment with these blatantly misusing their political vitality to ignite communalism, and other people being the mute spectators. He doesn’t take time to find out his intention and can get to the enterprise – reveals hatred chasing logic and sensitivity, a power-hungry man inserting the state into flames on account of he’s unable to ‘contain’ his partner. Even with all its predictability, and twists that usually look pressured, the director manages to assemble a dialog – his prime motive behind curating Afwaah.

    In the film, Mishra, who’s moreover the co-writer, takes substantiated jibe on the WhatsApp universities, the paid trolls, meme-makers, and the social media armies aided by political occasions to serve their agendas. While one half suffers being the sufferer of these rumours, the alternative half struggles to fight them once more and simply supplies in to believing them. When Rahab helps Nivi, the girl being attacked by the goons and henchmen of Vicky Bana in a market, his identification is solely restricted to being a Muslim making an attempt to manipulate a Hindu girl. Right inside the subsequent scene, they’re declared the ‘love-jihad’ couple by Vicky’s social media navy. They now should be caught, shamed, punished, mounted, and probably even killed. In the midst of the chasing is Vicky’s strongest hand, Chandan (Sharib Hashmi), in a saffron kurta and a crimson tilak. His declare to fame is his astute devotion to his grasp that makes him do basically probably the most villainous duties – like killing an innocent butcher in a Muslim-majority neighbourhood.

    Afwaah is laced with necessary performances the place everybody appears to be hungry, some for vitality, fame, and money and some for freedom, normalcy, peace, and life. While Bhumi and Nawaz stick with the scene, Sumeet and Sharib ace all of it. The film re-introduces Mishra as a fearless conversationalist. But, it is Sumeet and Sharib that come collectively in an unlikely resolution to provide performances that protect you on the sting of your seat. In a scene the place Chandan helps Nivi after thought of considered one of Vicky’s goons by chance shoots her with a pistol, he tells her ‘aap par goli chalane ka haq sirf Vicky Bana ka hai‘. Mishra never misses a chance to hit at social evils and keeps circling back to patriarchy while love jihad, communal violence, class difference, power struggle, political agendas, and even vigilante mobs and anti-beef movements continue to play.

    In a strongly designed parallel story, there’s a female cop (TJ Bhanu) constantly making an attempt to make sense of her identification and her significance inside the regime. She makes a robust case for a woman who’s shuffling between doing the righteous issue, discovering the easy methodology up, and exposing the patriarchal monster – his boss and likewise his affiliate in mattress, Inspector Samar (Sumit Kaul).

    Afwaah is Mishra’s honest attempt at calling out our innermost demons the place we’re at peace with not doing one thing even as a result of the world burns spherical us. ‘Acha insaan hona virtue nahi hai ab,’ says Rahab in a scene, and also you is likely to be made to imagine even when any person really must be an ‘acha insaan’ anymore. When did we become so complacent? When did we stop asking ‘why’? And when did we stop unlearning? The film leaves you making sense of the world which is precise and testing. It might not always be the right issue to sleep over one factor and it positively isn’t okay within the occasion you assume you aren’t a part of the problem. Afwaah, on its ground, is a freeway thriller, however it certainly mirrors all the rocky bumps, the positioning guests jams, and the unpredictable u-turns that exist in our social actuality. Take it or depart it!

    Stars: 3

    Published Date: May 5, 2023 9:50 AM IST

  • Sudhir Mishra: ‘BJP Won’t Give me Padma Shri, But Neither Did Congress’ | Exclusive

    Home MoviesSudhir Mishra: ‘BJP Won’t Give me Padma Shri, But Neither Did Congress’ | Exclusive

    The Sudhir Mishra Interview | On Tiff With Vivek Agnihotri, Not Getting Padma Shri & His Movie ‘Afwaah’.

    In an commerce that largely believes in hiding its political stances, and refuses to take a stand on issues with nationwide significance, director Sudhir Mishra certainly not fears holding a no-holds-barred dialog. As his latest film, ‘Afwaah’, hits the screens, he speaks to india.com about his mannequin of filmmaking and the best way he doesn’t want any recognition for his work anymore.

    “Ab Padma Vibhushan denge toh hi luga (I’ll only accept Padma Vibhushan from the government now),” he laughs when reminded of his criticism about not receiving the Padma Shri. Mishra talks about his distinct storytelling mannequin and the best way he focuses on letting his tales spark conversations all through the nation amongst people with completely totally different political and social ideologies. He constantly goes once more to his outdated movies starring Irrfan Khan, Nawazuddin Siddiqui, Om Puri, Chitrangada Singh, and Kareena Kapoor Khan amongst others to highlight that one widespread issue between good actors.

    At one degree by way of the dialog, he says “film dekh ke gaali do (watch my film and then abuse me if you want).” Scroll up and watch the full interview.

    Published Date: May 4, 2023 9:49 PM IST

    Updated Date: May 4, 2023 10:34 PM IST

  • Afwaah Trailer: Nawazuddin-Bhumi’s Unconventional Pairing Wins Internet

    Home LeisureAfwaah Trailer: Nawazuddin Siddique-Bhumi Pednekar’s Unconventional Pairing Wins Internet

    Afwaah is directed by Sudhir Mishra and produced by Anubhav Sinha is about to launch on May 5, 2023. The quirky thriller stars Nawazuddin Siddique and Bhumi Pednekar, watch the trailer now

    Afwaah Trailer Nawazuddin Siddique-Bhumi Pednekar’s Unconventional Pairing Wins Internet

    The trailer of the upcoming movie Afwaah was unveiled on Wednesday. The film, directed by Sudhir Mishra of ‘Hazaaron Khwaishein Aisi,’ stars Nawazuddin Siddiqui, Bhumi Pednekar, Sumeet Vyas, T.J. Bhanu and Sharib Hashmi. The trailer, which is 2 minutes and thirty seconds in measurement, reveals Sumeet as a politician who’s in scorching pursuit of his fiancee (carried out by Bhumi) after she runs away from home and Nawaz’s character includes her rescue. A rumour that Bhumi and Nawaz’s characters eloped collectively is unleashed by these in vitality.

    Afwaah is directed by Sudhir Mishra and produced by Anubhav Sinha is about to launch on May 5, 2023. The movie has taken everyone’s consideration because of the unconventional pairing of vitality performers Nawazuddin Siddiqui and Bhumi Pednekar. The film is a weird thriller directed by the renowned filmmaker Sudhir Mishra and helmed by Anubhav Sinha, and speaks about how a rumour has the ability to point out any person’s life the opposite manner up. This is Sudhir’s second outing with Nawazuddin after the Serious Men and it appears to be yet one more extremely efficient and compelling narrative.

    Watch the trailer of Afwaah:

    Producer Anubhav Sinha added, “It’s been an enriching experience collaborating with Sudhir on this important film. I believe ‘Afwaah’ is a very important film that accomplishes our objective of producing films that are high on content ”

    Director Sudhir Mishra talked about, “What if the monster chasing you is a bloody rumour? Basically you’re screwed because there’s no place to hide. The monster will always get there before you. What is worse is that sometimes the monster comes in the shape of a friend or a lover or a parent. If this is not the basis of an f-ing good thriller, then I don’t know what is! Presenting my reaction to our times: Afwaah.”

    Published Date: April 19, 2023 11:09 PM IST

  • Sudhir Mishra remembers working with Om Puri: ‘He was tough, generous guy who would lose it if I shot after midnight’

    Some of filmmaker Sudhir Mishra‘s tales have been set within the night time however actor Om Puri by no means preferred capturing put up midnight. Naturally, when the duo labored within the acclaimed 1991 traditional Dharavi, there have been fireworks.

    Sudhir Mishra has opened up about his expertise of working with Om Puri and recalled how the legend, who handed away in 2017, was an extremely giving actor who would cease at nothing to present a very good shot– even when it was on the expense of his discomfort.

    In an interview with Unfiltered By Samdish, the director stated he first collaborated with Om Puri on the 1983 cult Jaane Bhi Do Yaaron, the place Sudhir Mishra was a author and an assistant director.

    Om Puri was an necessary determine of the parallel cinema motion of the 80s. (Photo: Express Archive)

    “I worked with Om Puri when I made my third film, I was a young man. I had worked with him as an assistant in Jaane Bhi Do Yaaron and then in 1991 I worked with him (as a director). He was a big guy. He was so graceful, generous. None of these guys were easy. When one says, ‘he was graceful’, it is almost as if they were boring people. Like everyone who talks about Irrfan these days sounds like he was a boring person. He was not. Those were wonderful, ambitious, complicated times. There was a need for money, good work. It was difficult.”

    Mishra stated Puri’s craft was so sturdy, he would incorporate final minute suggestion with a outstanding ease. His expertise, Mishra recalled, went past his efficiency on-screen as he was additionally technically sound.

    Om Puri had featured in a number of acclaimed movies like Aakrosh, Ardh Satya, Jaane Bhi Do Yaaro and Chachi 420 amongst others. (Photo: Express Archive)

    “You could tell anything to him, he was graceful, technically perfect. You could provoke him the last moment and it would be there in the shot. If I’d say, ‘Puri sahab, ek aisa khayal aaya hai’, he would do that on screen. If there was no tripod and you’d request him to spread his legs and stand and then give close ups, he would do that. He was so technically (sound),” Mishra stated, who final helmed Nawazuddin Siddiqui-starrer Serious Men.

    The filmmaker, nevertheless, stated if there was one factor that Puri was not okay with, have been night time shoots. “Puri sahab was a tough guy often. He would lose it if you shot after 12 in the night. ‘Kya hai yaar? Chal… leave it,’ he would say. He would be angry but would say, ‘Chal ghar pe, I’ll feed you bhindi.’ My films are mostly set in night, so he would get angry!”

    Mishra stated as soon as Puri even joked that he would by no means work with him once more because the filmmaker goes to excessive lengths to get the shot that he requires. Dharavai, which gained the National Film Award for Best Feature Film in Hindi, was the final collaboration of Puri and Mishra.

    “Sometimes you go on and on, make them do difficult things. Like I had placed two cameras in separate vans on the road and asked him to run, stop at markers, then turn, then run again and repeat this four times. He would do it, but if someone is running in heat with slippers on, by the third or fourth time he is bound to get irritated. He would say, ‘Tere saath nahi karuga ab aagey, tu bohot zyada karta hai (I won’t work with you anymore, you go to extremes). He was senior also to me,” the filmmaker said.

    Mishra stated the explanation why he couldn’t work with the actor lots is as a result of he believed in casting new actors and never go for safer choices like Naseeruddin Shah or Om Puri. “If everyone works with them, their films will start looking the same. If Hazaaron Khwaishein Aisi had the same cast, what would be the difference between my films and that of Shyam Benegal?”

  • Fauda’s Indian adaptation Tanaav to stream on this OTT platform

    Internationally acclaimed sequence Fauda is ready to get an Indian adaptation, and will probably be helmed by veteran director Sudhir Mishra.

    Titled Tanaav (stress, stress), the present shall be set in opposition to the backdrop of 2017 Kashmir. It could have 12 episodes, starring the likes of Manav Vij, Arbaaz Khan, Arslan Goni, Ekta Kaul and Sumit Kaul.

    The official synopsis of Tanaav reads, “Set against the backdrop of Kashmir in the year 2017, Tanaav tells the story of a Special Covert Ops Unit, their bravery and courage. Delving into the human drama behind the ideologies, dealing with complex emotions and flawed characters, all of whom share the same feelings of love, loss, betrayal and revenge, Tanaav is a socio-political action drama with family at its core.”

    Speaking about his expertise of creating the sequence, filmmaker Sudhir Mishra stated, “Applause Entertainment discovers some of the best International stories to be reimagined and adapted for Indian audience. As a filmmaker, Tanaav allowed me to explore a variety of characters and delve deep into their psyche. It is a true Indian story weaved into a tightly-knit action drama that highlights human emotions and the dilemmas they face. Cannot wait for the audience to binge-watch Tanaav, soon to launch on SonyLIV.”

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    Avi Issacharoff, who’s the co-creator of Fauda, stated in an announcement, “We are very happy and proud to hear about Tanaav, the Indian version of Fauda. It’s a true honor for us to learn how Fauda succeeded to touch the hearts of so many people from all over the world, and especially in India.”

    Tanaav will stream on SonyLIV. The launch date of the sequence is but to be introduced.

  • Nawazuddin Siddiqui Says ‘More Than Nepotism, Racism is a Problem’ in Bollywood

    Nawazuddin Siddiqui on racism in Bollywood: Actor Nawazuddin Siddiqui is likely one of the most liked and celebrated actors within the trade in the present day. But this highway to fame hasn’t been straightforward and he has been very vocal about the identical. Nawaz has spoken in regards to the discrimination that he had obtained within the trade due to his look and as soon as once more, he spoke on colourism that he says continues to be prevalent in Bollywood. The actor has bagged an International EMMY nomination for his efficiency in Sudhir Mishra‘s Serious Men.Also Read – Sudhir Mishra: People Far More Junior Than me Have Got Their Padma Shri | Exclusive In his latest interview with an entertainment portal, Nawazuddin Siddiqui talked about the racism problem in the industry. He mentioned his co-star, Indira Tiwari, from Serious Men, and said that while Mishra cast her in a lead role, many filmmakers in Bollywood wouldn’t. He advised Bollywood Hungama, “Sudhir saab has immense knowledge about cinema, and his thought process is very practical. He cast her as the heroine, and I can guarantee you that there is so much racism in our industry, I will be very happy if she is cast as the lead again. Sudhir Mishra did it, but what about the head honchos in charge? More than nepotism, we have a racism problem.” Also Read – Netizens Troll Ranbir Kapoor, Alia Bhatt Again After They Return From Maldives, Say ‘Nawazuddin Siddiqui Was Right’ Nawaz added that he has fought in opposition to colourism and other forms of discrimination within the trade for a very long time however that is simply not about racism. The actor mentioned that it’s this complete ideology of individuals on the prime who reject individuals who appear like a sure means. He defined, “I fought against it for many years, and I hope that dark-skinned actresses are made heroines; it’s very important. I’m not even talking about skin colour; there is a bias that exists in the industry which needs to end for better films to be made… I was rejected for many years only because I’m short and I look a certain way, although I can’t complain now. But there are so many other great actors who fall prey to this kind of bias.” Also Read – Nawazuddin Siddiqui Disappointed With Celebs Vacationing Amid Pandemic: ‘In Logon Ne Maldives Ko Tamasaha Bana Rakha Hai’

    Nawazuddin is revered and celebrated for his roles in films like Gangs of Wasseypur, Sacred Games, Bajrangi Bhaijaan, Manjhi-The Mountain Man, Manto, The Lunchbox, and Raman Raghav 2.0 amongst others. He is standard for giving some unimaginable performances in varied reveals on the Indian streaming platforms together with Amazon Prime Video and Netflix.

  • Sudhir Mishra: People Far More Junior Than me Have Got Their Padma Shri | Exclusive

    Cinema ought to converse to you, it ought to shift your focus to one thing essential, one thing that you just had been lacking round, it ought to depart you with ideas, it ought to make you consider in issues that you just by no means knew existed, and it ought to encourage you to be the voice of change. For director and producer Sudhir Mishra, cinema ought to make you are feeling uncomfortable, it ought to ask the questions that had been by no means requested or the questions that you just feared to reply. In an unique chat with india.com, Mishra and his new collaborator, unbiased director Raj Amit Kumar, spoke about all of the issues that cinema is meant to do however is unable to do as a result of present socio-political setup within the nation. Raj’s new movie – BROWN – tells the story of an immigrant who’s being chased by ICE (Immigration and Customs Enforcement) brokers whereas he tries to make a protected dwelling with a younger orphan lady rescued from abuse. Much like his earlier providing – UNFREEDOM (2014) – that was first banned in India however later launched on Netflix, BROWN too makes an attempt to pose some powerful questions and asks the viewers to think about the system. Also Read – Irrfan Khan, The Man Who Lives! Deepak Dobriyal Speaks | Exclusive While Raj agrees that the filmmakers live in a extra susceptible time in the present day when there are fixed loss of life theatres and assaults on them in the event that they attempt to create one thing that doesn’t match the sensibility of a piece of the society, Sudhir thinks the scenario isn’t any completely different than the time when he stepped into the business. “Tell me when was the time right for the filmmakers? Their lives were always difficult, It was never easy to make these kinds of films. When we made Jaane Bhi Do Yaaro (1983) or films like Albert Pinto Ko Gussa Kyoon Aata Hai (1980) with budgets as steep as Rs 3 lakh, the industry thought we were some kind of viral infection. Nobody was ready to invest. Life was never easy.” Also Read – Shree Krishna Actor Sunil Nagar Seeks Financial Help, Says ‘Family Has Abondoned me’ | Exclusive A poster of Dharavi, directed by Sudhir Mishra But, when a filmmaker like Sanjay Leela Bhansali is attacked at his personal shoot location by some fringed group, doesn’t that set a unsuitable instance of vulnerability? Sudhir says he has skilled the identical manner again within the early ’90s however he by no means feared making movies and continued to be related to the sort of cinema he believed in. “I am not saying that there are no problems today. I am saying that making political films or difficult films or personal films has always been difficult. When I made Dharavi (1992), I got no work from 1991-2000. The industry gave me no work because I had made a film that questioned something, that was different, that came from an idea and wasn’t made for pure entertainment. Dharavi was pulled out of theatres. My career went five-six years back because no one would give work to me at that time. I was this ‘controversial guy’ in the industry. It was only when Mahesh Bhatt and Amit Khanna gave work to me that I started working again. This doesn’t scare me though. I will continue to make films. I see problems now too, I saw them then as well,” he defined. Also Read – Neelima Azeem Says Shahid Kapoor, Ishaan Khatter Travelled by Buses to Understand Struggle | Exclusive

    Sudhir Mishra: People Far More Junior Than me Have Got Their Padma Shri | Exclusive (Image created by Gaurav Gautam for india.com) The director of movies like Chameli (2003), Hazaaron Khwaishein Aisi (2003), Yeh Saali Zindagi (2011), Khoya Khoya Chand (2007), and Traffic Signal (2007) talked about that he has labored a lot within the business and but he hasn’t obtained the sort of recognition his work deserves. Mishra mentioned he doesn’t remorse that as a result of he’s getting the alternatives to make these sorts of movies. “I think nobody has ever been fond of me or my work that way. For example, people far more junior than me have got their Padma Shri and whatever other awards but nobody has given my work that kind of importance. This doesn’t bother me. I am not saying give me an award. I am saying I’ll continue to make films that will scare them, that will question them. I have never been bitter or angry about these things. I am a filmmaker. I am lucky that I continue to make the kind of films I always wanted to. My next is with Anubhav Sinha and I see so many filmmakers doing that kind of work. I see Sinha, Vikramaditya Motwane, Navdeep Singh, Anurag Kashyap, Chaitanya Tamhane, Rajat Kapoor, Prakash Jha, Hansal Mehta, and so many more who are making the right kind of cinema – the brave kind of cinema. My films are not comfortable, I am fine with that but I don’t also make sensational films. I’ll continue to do that. My job is to tell stories.” Raj Amit Kumar, Director – BROWN Even although Raj needs to query the best individuals about the best topic, he doesn’t assume that his movies must be seen as a software of social activism. “I understand that my films deal with important social issues but I am not a social activist. I don’t use cinema to do social activism. We are pretty selfish people, we are filmmakers. We get a subject that has deeply spoken to us and then we decide to make a film because I don’t know how else can you make a film. If something is speaking to me, it could be in the real of a socio-political scenario, but it does qualify as my story as well. If it becomes a commentary on that issue, that’s fine, it’s wonderful and that should keep happening but that’s not what the larger aim is,” he defined. BROWN is a movie that’s being crowd-funded. The movie remains to be in its post-production stage and the makers are in a technique of elevating ending funds for the movie. You can click on HERE to do your bit in order that the unbiased voices are being heard within the business. Watch out for BROWN!